Edmond Aman-Jean

Edmond Aman-Jean (13 January 1858, Chevry-Cossigny – 25 January 1936, Paris) was a French symbolist painter, who co-founded the Salon des Tuileries in 1923.[1]

Self-portrait
(date unknown)
Miss Ella Carmichaël, 1906
Young Girl with Peacock, 1895

Life

His father was the owner and operator of an industrial lime kiln. He had his first art lessons with Henri Lehmann at the École nationale supérieure des Beaux-Arts, where he shared a workshop with Georges Seurat. He also befriended the Symbolist painters, Alphonse Osbert and Alexandre Séon.

In 1886, he obtained a travelling scholarship and went to Italy, together with Henri-Jean Guillaume Martin and Ernest Laurent; studying the Old Masters. Along with Seurat, he worked as an assistant to Puvis de Chavannes, helping him to realize several of his murals. In 1892, he painted a portrait of the poet, Paul Verlaine, during his convalescence for syphilis at the Hôpital Broussais in the 14th arrondissement of Paris. Verlaine dedicated a sonnet to him and they remained good friends until Verlaine's death in 1896.

He was also one of the first to recognize Joséphin Péladan as an important artist and exhibited at one of the first showings held at the Salon de la Rose + Croix. Later, he became an important teacher in his own right. His students included Charles Sydney Hopkinson, Theodor Pallady, and Nicolae Tonitza. In 1923, together with Albert Besnard and Auguste Rodin, he helped create the Salon des Tuileries. Ten years later, he was named a Commander in the Legion of Honour.[2]

In 1892, he married Thadée Jacquet, the daughter of an Imperial Prefect, who was also a painter. They had two children, François, who became a well-known writer, and Céline, who was a painter and illustrator.

Art

Aman-Jean established his reputation primarily for his portraits, especially of female subjects; he was also noted for his murals in public and official buildings, including the Sorbonne. Like many French artists of his generation, he was influenced by the new perspectives on Japanese art current in Paris in his day; more unusually, he was interested in the Pre-Raphaelite artists in England.[3]

He was a close friend of Georges Seurat;[4] the two artists shared a Paris studio in 1879. Art historian Robert Herbert called Seurat's portrait of Aman-Jean, "one of the great portrait drawings of the nineteenth century."[5] It was the first work Seurat showed, at the Paris Salon in 1883. Aman-Jean also worked in lithography and printmaking and designed posters.

References
  1. Denny Carter, Edmond Aman-Jean: A Study of His Life and Works, Cincinnati, University of Cincinnati, 1974.
  2. Dossier @ the Base Léonore.
  3. Thomas J. Tobin, Worldwide Pre-Raphaelitism, Albany, New York, State University of New York Press, 2005; p. 128.
  4. William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth-Century Thought, Chicago, University of Chicago Press, 1997; p. 65.
  5. Robert L. Herbert, Seurat: Drawings and Paintings, New Haven, Connecticut, Yale University Press, 2001; p. 29.
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