Edward Sorel

Sorel was born and grew up in The Bronx, the son of Jewish immigrants.[2] His father was a door-to-door dry goods salesman, while his mother worked full-time in a hatmaking factory.[5] Sorel became serious about drawing when a case of double pneumonia confined him to bed for nearly a year.[2] He attended the High School of Music & Art, and graduated from the Cooper Union in 1951.[2]

As he explains in Mary Astor's Purple Diary, he took his name from the character Julien Sorel of The Red and the Black by Stendhal, with whom he felt akin because both hated their fathers, the clergy and the corrupt society of their time.[6]

Sorel was a co-founder of Push Pin Studios with Milton Glaser, Seymour Chwast, and Reynold Ruffins in 1953.[2]

In 1956 Sorel went freelance.[5] His first published illustration was A War for Civilization was sold to the satirical magazine The Realist;[7] in 1961. He then sold the magazine a cartoon satirizing the glamor of the Kennedy family, an early example of his parody movie posters. Victor Navasky appointed him art director for the satirical magazine Monocle in 1963.[2] In the later 1960s he produced full-color satirical bestiaries for the left-wing Ramparts, and a series called "Sorel's Unfamiliar Quotations" for The Atlantic. A profile of Sorel in Time 15 October 1968 was instrumental in selling "Sorel's News Service" by King Features to 44 syndicated newspapers[2] for 14 months from later 1969 through 1970. Clay Felker founded New York magazine in the late 1960s and Glaser hired Sorel as its art director in the late 1970s.[2]

Sorel also contributed covers and features to early issues of National Lampoon. When Felker bought the Village Voice in 1974 Sorel was given a weekly spot there, which lasted for most of the 1970s. By the mid-1980s Sorel moved to The Nation, now edited by his old colleague Navasky, and to which he contributed for the next decade. Sorel joined The New Yorker in late 1992 contributing a cover to the first issue edited by new editor Tina Brown. He has contributed many illustrations, features, and 44 covers to The New Yorker.

He has contributed many features to Vanity Fair. His art has also appeared on the covers of Harper's Magazine, Fortune, Forbes, Esquire, Time, American Heritage, Atlantic Monthly. Sorel also had a lengthy association with Penthouse, often lavishly reworking earlier drawings and ideas from his work for The Village Voice and The Nation.

In 2007 he completed the celebrated mural for the Waverly Inn in New York's Greenwich Village, which was published as a book, The Mural at the Waverly Inn in 2008. In 2009 he completed the mural for the redesigned Monkey Bar Restaurant in New York City.

As a writer, Sorel has reviewed books and exhibitions of fellow cartoonists and illustrators for such publications as The New York Times, The New York Observer, and American Heritage magazine.

In February 2010 he was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.[8]

In 2016, Sorel published "Mary Astor's Purple Diary," which was received with praise. In late December 2016, Sorel received a rave book review by Woody Allen.

Sorel has been married twice. He met his second wife, Nancy Caldwell, in 1963 at a Quakers Morningside Friends Meeting, and married her in 1965. Sorel and Caldwell have collaborated on two books, with Caldwell writing the text and Sorel doing the illustrations.[2] Sorel has four children: Madeline Sorel Kahn, Leo Sorel,[5] Jenny Sorel, Katherine Sorel; and six grandchildren: Saskia Kahn, Sabella Kahn, Walter Sorel, Adam Sorel, Dulio Sorel, and Thelonious Sorel.

In 1998 the National Portrait Gallery in Washington, DC, devoted several rooms to an exhibition of his caricatures. Other one-man shows include the Graham Gallery and the Davis and Langdale Gallery in New York City, the Susan Conway Gallery in Washington, DC, the Art Institute of Boston, Galerie Bartsch & Chariau in Munich, Germany, and Chris Beetles Gallery in London.

He is a recipient of the Auguste St. Gaudens Medal for Professional Achievement from Cooper Union (his alma mater), the Hamilton King Award from The Society of Illustrators, the Page One Award from the Newspaper Guild, the Best in Illustration Award from the National Cartoonists Society, the George Polk Award for Satiric Drawing, and the "Karikaturpreis der deutschen Anwaltschaft" from the Wilhelm Busch Museum in Hanover, Germany.[9] He received the National Cartoonist Society Advertising and Illustration Award for 1993.[10] In 2001, Sorel was given the Hunter College James Aronson Award for Social Justice Journalism Lifetime Achievement Award. In 2001 the Art Directors Club of New York elected him to their Hall of Fame,[5] the first cartoonist since John Held Jr. to be so honored.[9] Ed Sorel serves as an Honorary Board Member of the Freedom From Religion Foundation.[11]

In 2011, the School of Visual Arts in Manhattan honored Sorel as part of their Masters Series, an award and exhibition that honors great visual communicators.[3] The SVA produced a documentary about Sorel entitled Nice Work if You Can Get It directed by his son, Leo. The documentary is now streaming on Vimeo.

In 2022, he was awarded the Reuben Award for Outstanding Cartoonist of the Year by the National Cartoonists Society.[12]

• Official website
• "Unauthorized Portraits: The Drawings of Edward Sorel", an exhibition July 2, 1999 to January 2, 2000 at the National Portrait Gallery.
• Art Directors Club 2002 biography and tribute by R.O. Blechman, and images of work
• slideshow of work for Vanity Fair
• contributions to The Atlantic