David V. Picker

Picker began his movie career at United Artists in 1956, working in advertising and publicity. By 1961 he was an assistant to Arthur Krim, the president.[11][12][9] Picker helped bring Tom Jones to United Artists in 1963. The film received four Academy Awards, including Best Picture and Best Director for Tony Richardson.[13] In 1964, Picker accepted the award on behalf of Tony Richardson, who was not in attendance.[14] By the late 1960s, Picker was managing United Artists Records.[11][12]

Picker became chief operating officer and president of United Artists Corporation in 1969.[11] Having earlier brought the Beatles' A Hard Day's Night and Help! to the company, Picker was also responsible for a deal with producers Harry Saltzman and Albert Broccoli for the James Bond series which launched one of the most successful franchises in cinema history. Other notable releases during his time as president of United Artists included Midnight Cowboy and Last Tango in Paris.[1][11][15] Picker also established the company's lasting relationship with writer and director Woody Allen in addition to European filmmakers Federico Fellini, Ingmar Bergman, François Truffaut, Louis Malle, and Sergio Leone.[1] He became CEO and president of UA on January 1, 1973.[9]

In 1973, Picker left United Artists to form his own production company, Two Roads Productions,[6][11] and produced Juggernaut and Lenny in 1974 and Smile in 1975. Lenny became a critical success and was nominated for six Academy Awards.[11][16] In 1976, Picker then became President of Motion Pictures at Paramount but served for only a few years,[11] during which he helped develop or greenlight Saturday Night Fever, Grease, and the 1980 Academy Award winner, Ordinary People.[6][12] Upon leaving Paramount in 1979, Picker partnered with comedian Steve Martin to produce that year's The Jerk, Dead Men Don't Wear Plaid in 1982, and The Man with Two Brains in 1983.[11][12] In the mid-1980s, Picker took over as President of Feature Films at Lorimar Productions, developing and supervising the films S.O.B., Being There, and Escape to Victory.[6][12] Hired in 1985 by Columbia Pictures to serve as president of production, Picker greenlit Hope and Glory, School Daze, Vice Versa, Punchline, and True Believer.[6][17][18] By the mid-1980s, Picker was independently producing again. In 1987, he had left the post of Columbia Pictures after David Puttnam had left the company and Dawn Steel and Roger Faxon joining the company. in order to revive Two Roads Productions with a non-exclusive production agreement with Columbia Pictures.[19] He worked with Harry Belafonte to produce Beat Street[20] and also produced a remake of Stella Dallas called Stella, starring Bette Midler.[11][12][21]

Picker produced The Saint of Fort Washington for Warner Bros. in 1993 and The Crucible for Twentieth Century Fox in 1996.[6] In 1997, Picker became president of Hallmark Entertainment Productions Worldwide to oversee the company's objective of expanding into feature films.[11][12][15]

From 2004 to 2008, Picker served as chairman of The Producers Guild of America for the East. Picker's memoir about his career in the film industry, Musts, Maybes and Nevers, was released in 2013.[2]

Miscellaneous crew

Thanks

Miscellaneous crew