Cotton Eyed Joe (album)
Cotton Eyed Joe is a live album by American musician Karen Dalton recorded in October 1962, but not released until 2007, as a set of two CDs and a DVD.
Cotton Eyed Joe | ||||
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Live album by | ||||
Released | 2007 | |||
Recorded | October 1962 | |||
Venue | The Attic, Boulder, Colorado | |||
Genre | Folk blues | |||
Label | Megaphone Music | |||
Producer | Joe Loop | |||
Karen Dalton chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
Pitchfork Media | (8.0/10) - link |
At the time Dalton, her husband, and daughter lived in a shack in the Colorado mountains, without electricity or running water, and she would occasionally play at the Attic, a folk club in Boulder, Colorado. The album is a recording of a performance there, made by the club's co-proprietor and a friend of Dalton's, Joe Loop.[1]
Track listing
- CD 1
- "It's All Right" (Ray Charles) – 5:45
- "Everytime I Think of Freedom" (Traditional) – 3:03
- "Cotton-Eyed Joe" (Traditional) – 4:31
- "Pastures of Plenty" (Woody Guthrie) – 3:52
- "One May Morning" (Traditional) – 4:17
- "Red Are the Flowers" (Fred Neil) – 5:31
- "Blues On the Ceiling" (Fred Neil) – 3:20
- "Run Tell That Major" (Traditional) – 3:22
- "Down and Out" (Jimmy Cox) – 3:43
- "Fannin' Street" (Huddie Ledbetter) – 2:33
- CD 2
- "In The Evening" (Leroy Carr) – 5:10
- "Old Hannah" (Traditional) – 3:27
- "Pallet On Your Floor" (Jelly Roll Morton) – 3:38
- "Prettiest Train" (Traditional, Lomax Prison Recordings) – 4:10
- "Mole in the Ground" (Traditional) – 5:48
- "Darlin' Corey" (Traditional) – 4:42
- "It Hurts Me Too" (Mel London) – 4:12
- "Katie Cruel" (Traditional) – 2:34
- "Blackjack" (Ray Charles) – 3:12
- "No More Taters" (Traditional) – 4:57
- "Good Morning Blues" (Huddie Ledbetter) – 3:36
- DVD
- "God Bless the Child" (Billie Holiday, Arthur Herzog, Jr.)
- "It Hurts Me Too" (Mel London)
- "Little Bit of Rain" (Fred Neil)
- "Blues Jumped The Rabbit" (Traditional)
References
- Deusner, Stephen M. (December 7, 2007). "Karen Dalton: Cotton Eyed Joe". pitchfork.com. Retrieved 16 March 2013.
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