Coriolan Overture

Performed by the Fulda Symphonic Orchestra, conducted by Simon Schindler
Performed by the Czech National Symphony Orchestra for the Musopen Kickstarter Project
Performed by the Ulm Philharmonic, conducted by James Allen Gähres

The Coriolan Overture (German: Coriolan-Ouvertüre or Ouvertüre zu Coriolan), Op. 62, is a composition written by Ludwig van Beethoven in 1807 for Heinrich Joseph von Collin's 1804 tragedy Coriolan.[lower-alpha 1]

The overture was premiered in March 1807 at a private concert in the home of Joseph Franz von Lobkowitz. The Symphony No. 4 in B-flat and the Piano Concerto No. 4 in G were premiered at the same concert.[1]

Context

The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolanus' resolve and war-like tendencies (he is about to invade Rome), while the more tender E-flat major theme represents the pleadings of his mother to desist. Coriolanus eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies, the Volsci, to Rome's gates, he kills himself. (This differs from the better-known play Coriolanus by William Shakespeare, in which he is murdered. Both Shakespeare's and Collin's plays are about the same semi-legendary figure, whose actual fate was not recorded.)

The Coriolan Overture is scored for 2 flutes, 2 oboes, 2 clarinets in B♭, 2 bassoons, 2 French horns in E♭, 2 trumpets in C, timpani, and strings.

Recordings

Two of the most highly regarded recordings are of Wilhelm Furtwängler conducting the Berlin Philharmonic (1943)[2] and Fritz Reiner conducting the Chicago Symphony Orchestra in 1959. Sir Roger Norrington has created a notable period performance version with his recording of the overture with the London Classical Players.

Other notable recordings include those of Otto Klemperer with the Philharmonia Orchestra, Herbert von Karajan with the Berlin Philharmonic,[3] Karl Böhm with the Vienna Philharmonic, Carlos Kleiber conducting the Bavarian State Orchestra, Christopher Hogwood with the Academy of Ancient Music, and Bruno Walter conducting the Columbia Symphony. The work was a staple of Arturo Toscanini's repertoire, and six recordings under Toscanini's baton are extant as well as one recording of rehearsal excerpts.

Notes
  1. The Overture was not, as is sometimes claimed, written for William Shakespeare's play Coriolanus, although both works are about the ancient Roman leader Gaius Marcius Coriolanus.

Citations

  1. Steinberg, Michael. The Symphony: A Listeners Guide. pp. 19–24. Oxford University Press, 1995.
  2. Furtwängler conducts Beethoven, MusicandArts.com Archived 9 September 2006 at the Wayback Machine
  3. "Recording details, Deutsche Grammophon Archived 13 March 2007 at the Wayback Machine

Sources

  • Coriolan, Op. 62: Scores at the International Music Score Library Project (includes original manuscript)
  • Kuthen, Hans-Werner (2013). Coriolan Overture op. 62 (Preface) (PDF). G. Henle Publishers. ISMN 979-0-2018-9042-5. Archived from the original (PDF) on 17 May 2018. Retrieved 16 May 2018.
  • Rothe, Alexander K. (25 April 2016). "The Theater of the Listener's Imagination in Beethoven's Coriolan Overture". Alexander K. Rothe Musicology.
  • Keays, James. "Program Notes: Coriolan Overture". Redlands Symphony Orchestra.
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