Cleopatra Grip

The album was produced by Martin Hannett, with Gil Norton assisting.[8][9] Like all of the Heart Throbs' records, the album title employs slang for female genitalia.[2]

Professional ratings

Review scores
Source	Rating
AllMusic	[10]
Chicago Tribune	[11]
The Encyclopedia of Popular Music	[1]
The Rolling Stone Album Guide	[9]
The San Diego Union-Tribune	[12]
Select	3/5[13]
The State	[14]
Martin C. Strong	6/10[15]

Trouser Press wrote that the singer/guitar player Rose Carlotti "lends a breathy coo to the psychedelically charged, slightly dancey guitar rock."[2] The New York Times thought that Cleopatra Grip "puts the Heart Throbs alongside the year's best new bands, meshing memorable melodies and guitar lines with lyrics that mix clarity and enigma."[16] The Washington Post opined that the album "skillfully straddles the line between spontaneous and slick ... The results are eminently listenable, but a little overfamiliar."[17]

The Chicago Tribune declared that "never has boredom sounded so sensual ... While a mass of shimmering guitars washes over Carlotti`s flat, echo-laden voice, bass and drums bubble insistently underneath."[11] Spin deemed the album "indie pop [with] a coat of AOR gloss."[18] The Sun Sentinel likened the style of "airy vocals floating over a sparse, edgy rock sound" to Siouxsie and the Banshees.[19] The Times Union stated: "This is music for the Twin Peaks generation: moody, self-indulgent, streaked with ethereal synthesizer sounds, seemingly residing in that shadowy state between dream and reality."[20]

AllMusic wrote that "the slightly poppier singles 'Tossed Away' and 'Dreamtime' are the album's highlights but, while a couple of the songs coast by simply on atmosphere, Cleopatra Grip is a luxurious and compelling listen."[10]