Christiaan Tonnis

Tonnis' works are "supported with psychological knowledge"[1] His earliest drawings reflect his interest in psychoanalysis and psychopathology such as, catatonic rigidity or the postnatal psychosis depicted in his 1980–85 collection. To "show the psychic as a second face" he "uses stitchings, masks and fragments of masks—they are sometimes barely visible"[2]

... in his portraits the artist Christiaan Tonnis shows us the tears in the psyche that are written into faces. In these paintings these faces are, as it were, stage areas of a forgotten Drama, only readable as old and rigid courses of action but with traces of the internal (hidden) foreigner ...

— Kai Hoffmann, Frankfurter Rundschau, 1986-02-20

In 1986, he started to paint landscapes from literature like the "Magic Mountain (after Thomas Mann)" and portraits of writers and philosophers as William S. Burroughs, Virginia Woolf, Ludwig Wittgenstein, and more. His large scale triptych "Frost" is "a material image in harsh black and white which depicts a literary landscape of snow and ice in different viewpoints [...] a picturesque transformation of Thomas Bernhards 1963 novel".[3]

Since 2003 his work has become more meditative: "Geometric patterns in bright colors",[4] consistent with Tibetan Book of the Dead (Bardo Thodol) and New Testament—the series of minimalistic "Meditation pictures".

"Catwalk!" was exhibited at the Showroom Eulengasse in Frankfurt, Germany in 2007. The exhibition consisted of a series of collages created of cats' heads on women's bodies. The most recognizable bodies are those of Virginia Woolf "with big, sad eyes" and Kate Moss.[5]

In 2006 Tonnis set up a MySpace page dedicated to Thomas Bernhard, using pictures tell his biography. The theme of the page was Bernhard's motto "In the darkness everything becomes clear."

In 2008 Tonnis started to contribute reviews on art to the style magazine Dazed Digital, London.[6]

2009: During the "Sommeratelier" at Kunstverein Familie Montez, Frankfurt,[7] he created a painting for the performance "Who let the dogs out, Edith?". This "experimental collage of different media and arts" has been a dialogue with Heinrich von Kleist's play Penthesilea, directed by Hans-Jürgen Syberberg in 1988 with actress Edith Clever.[8]

With the mural of a golden cross on black and violet ground—divided into pixels—Tonnis has been one of 36 international artists who designed the "Pixelkitchen" in January 2013, a tiled room of 177.2 inches height at the Günes Theatre in Frankfurt.[9] "All these artworks are glued, painted or nailed onto the walls."[10]

On June 20, 2021, Tonnis performed "Novalis" as a live stream at the Eulengasse exhibition space. In his glowing hand he held a bouquet of blue flowers and used them to write two passages from Novalis' novel Heinrich von Ofterdingen on an large scale horizon. The inscription of a poetic text from the early Romantic period is to be read “as an alternative to our swaying world that has gotten out of joint”.[11][12]

Christiaan Tonnis is a member of the St. Paulsgemeinde Frankfurt, which is holding church service at the Old St Nicholas Church, and the Internationale Novalisgesellschaft.[13]

• 1986: Zeichnungen, Galerie Das Bilderhaus, Frankfurt
• 1986: Zeichnungen, Galerie 42, Gießen
• 1989: Christiaan Tonnis, Galerie Einbaum, Frankfurt
• 1990: Christiaan Tonnis, Galerie Limberg, Frankfurt
• 2006: Dialog, Kunstverein Eulengasse, Frankfurt
• 2006: Zeichnung und Malerei, Höpershof, Hannover-Wedemark
• 2007: CATWALK!, Kunstverein Eulengasse, Frankfurt
• 2010: Hinter dem Spiegel (with a performance by Eva Moll), Klosterpresse, Frankfurt
• 2011: Christiaan Tonnis: Thomas Bernhards "Frost", Kunstverein Eulengasse, Frankfurt
• 2019: Christiaan Tonnis – Screening Montez 2009–14, Kunstverein Familie Montez, Frankfurt
• 2021: Christiaan Tonnis – Novalis (Performance), Kunstverein Eulengasse, Frankfurt

• 2007: Sem Palavras / Ohne Worte, Instituto Histórico de Olinda, Olinda
• 2008: Antarctic Meltdown, Melbourne International Arts Festival, Melbourne
• 2008: Sanlu Yishu, Huajiadi Beili Wangjing, Beijing
• 2008: Digital Fringe 08, Melbourne Fringe Festival, Melbourne
• 2008: Road Movie, Frieze Film at 6. Frieze Art Fair and Channel 4, London
• 2008: Electrofringe, This Is Not Art, Newcastle
• 2009: Gut ist was gefällt, Kunstverein Familie Montez, Frankfurt
• 2010: 2009 Was A Rough Year – Lilly McElroy, Thomas Robertello Gallery, Chicago
• 2012: Terremoto – Beben, by Nikolaus A. Nessler, in collaboration with Christiaan Tonnis (Film), Nico Rocznik (Light) and Manuel Stein (Sound), Kunsthaus Wiesbaden[18][19]
• 2013: Wurzeln weit mehr Aufmerksamkeit widmen, Kunstverein Familie Montez and Der Laden/Bauhaus University, Weimar
• 2014: Les Fleurs du Mal – Dithering Cities, Luminale, Frankfurt[20]
• 2015: Kunst Messe Frankfurt 15, Kunstverein Familie Montez, Hall 1.2, Messe GmbH, Frankfurt
• 2017: Supermarket 2017, Stockholm Independent Art Fair, Stockholm[21]
• 2018: Quinceañera, Kunstverein Eulengasse, Frankfurt[22]
• 2018: Supermarket Art Fair, Daily Film Documentation of Performances, Stockholm[23]
• 2019: Latitudes Festival, Santa Cruz de la Sierra
• 2019: Open/Occupy II, Kunstfabrik am Flutgraben, Berlin[24]
• 2020: Participate NOW!, EULENGASSE @ Platforms Project NET – Independent Art Fair, Athens[25][26]
• 2020: Ein ganz normaler Herbst, nur anders ... , Kunstverein Familie Montez, Frankfurt
• 2021: Platforms Project Net 2021, Platforms Project – Independent Art Fair, Athens
• 2021: Inspiration, Klosterpresse, Frankfurt
• 2021: be**pART, Atelier Montez, Rome[27]

• Christiaan Tonnis: Krankheit als Symbol, Berlin Pro Business, 1. Edition 2006-11-03, 2006, ISBN 978-3-939533-34-4
• Christiaan Tonnis, Oswald-von-Nell-Breuning-Schule and the town of Rödermark: 5+5=1!, DVD-Video (25 min.), 2011, archived at the town of Rödermark
• ROT – Das Magazin des Kunstvereins Eulengasse, Axel Dielmann-Verlag, Frankfurt, 2013, p. 15-16, 145, 148-149, 15, ISBN 978-3-86638-180-3
• Kerstin Krone-Bayer and Hanna Rut Neidhardt (Publishers): Montez im Exil – Kunstverein Familie Montez, Frankfurt, 2014, ISBN 978-3-00-045918-4
• Familie Hecht – Eine Erinnerung, 2017, DVD-Video, in collaboration with the Oswald-von-Nell-Breuning-School, Rödermark, archived at the Jewish Museum Frankfurt
• Christiaan Tonnis – Die Leipziger Baumwollspinnerei, epubli Verlag Berlin, 2017, ISBN 978-3-7450-7655-4
• Christiaan Tonnis – Das grafische Werk: 2006–2017, epubli Verlag Berlin, 2017, ISBN 978-3-7450-6724-8
• Christiaan Tonnis – Videos 2009–2017, Kunstverein Familie Montez, Werkverzeichnis, epubli Verlag Berlin, 2017, ISBN 978-3-7450-0580-6
• Christiaan Tonnis – Copy and Paste, epubli Verlag Berlin, 2017, ISBN 978-3-7450-9175-5
• Christiaan Tonnis – Texte und Schriften: 1986–2017, epubli Verlag Berlin, 2017, ISBN 978-3-7450-3054-9
• Christiaan Tonnis – Catwalk: Die Collagen, epubli Verlag Berlin, 2019, ISBN 978-3-7502-5286-8
• Marlies ter Borg: Bipolar creativity: through the ages, Independently published, 2021-02-16, p. 69, back cover, ISBN 979-8708860545
• Christiaan Tonnis – Copy and Paste 2, epubli Verlag Berlin, 2021, ISBN 978-3-7541-6369-6
• Christiaan Tonnis – Das grafische Werk: 2006–2022, epubli Verlag Berlin, 2022, ISBN 978-3-7565-4231-4
• Christiaan Tonnis – Das fotografische Werk 1, epubli Verlag Berlin, 2022, ISBN 978-3-75-6550-60-9
• Christiaan Tonnis – Das fotografische Werk 2, epubli Verlag Berlin, 2022, ISBN 978-3-75-6551-23-1
• Christiaan Tonnis – Das fotografische Werk 3, epubli Verlag Berlin, 2023, ISBN 978-3-757510-99-2

Wikimedia Commons has media related to Christiaan Tonnis.

• Christiaan Tonnis in German National Library
• Christiaan Tonnis – Official Homepage
• Christiaan Tonnis – Kunstverein Familie Montez – Family Album
• Exhibitions listed on kunstaspekte.de
• Christiaan Tonnis on artfacts.net