Chamunorwa

Recorded in Harare, the album was remixed at Island Studios, in London.[10] Mapfumo continued to use mbiras and hoshos, but made heavier use of brass and percussion than on previous albums.[11][12]

Professional ratings

Review scores
Source	Rating
AllMusic	[13]
Calgary Herald	A[5]
Chicago Tribune	[14]
Robert Christgau	[15]
The Encyclopedia of Popular Music	[16]
MusicHound World: The Essential Album Guide	[17]
Spin Alternative Record Guide	8/10[18]

The New York Times deemed the album "a quiet triumph," writing that "the music rolls along on its six-beat pulse, lightening Mr. Mapfumo's doleful meditations with the sparkle of mbira lines and sure but laconic drumming."[1] The Baltimore Sun wrote that "its gentle melodies and lithe, burbling rhythms require no translation—intriguingly infectious, they're enough to win over almost any listener."[19]

The Chicago Tribune noted that "even those unfamiliar with [chimurenga] will find themselves seduced by the snaky guitar and mbira lines, complex net of percussion, bursts of horns and, driving everything, the distinctive rolling rhythms of Zimbabwean music... The beautiful irony is that by remaining true to his roots, Mapfumo has created something of universal appeal."[14] The Washington Post stated that Mapfumo's "multilayered chimurenga explores an array of traditional Shona melodies and percussion and is softened by the gentle plinking of mbira thumb pianos."[20]

The Spin Alternative Record Guide called the album "Mapfumo at his most basic, re-re-Africanizing the music by adding vigorous mbira parts and sticking close to rugged folk arrangements."[18]