Kannada

The Halmidi inscription at Halmidi village, in old-Kannada, is usually dated to 450 AD (Kadamba Dynasty).

Old-Kannada inscription dated 578 AD (Badami Chalukya dynasty), outside Badami cave no.3

Old-Kannada inscription of c. 726 AD, discovered in Talakad, from the rule of King Shivamara I or Sripurusha (Western Ganga Dynasty)

Old-Kannada inscription of the 9th century (Rashtrakuta Dynasty) at Durga Devi temple in Hampi, Karnataka

The famous Atakur inscription (AD 949) from Mandya district, a classical Kannada composition in two parts; a fight between a hound and a wild boar, and the victory of the Rashtrakutas over the Chola dynasty in the famous battle of Takkolam

Old Kannada inscription dated 1057 AD of Western Chalukya King Someshvara I at Kalleshwara Temple, Hire Hadagali in Bellary district

Old-Kannada inscription ascribed to King Vikramaditya VI (Western Chalukya Empire), dated AD 1112, at the Mahadeva Temple in Itagi, Koppal district of Karnataka state

Old-Kannada inscription of 1220 AD (Hoysala Empire) at Ishwara temple of Arasikere town in the Hassan district

Kannada inscription dated 1509, of King Krishnadevaraya (Vijayanagara Empire), at the Virupaksha temple in Hampi describes his coronation

Kannada inscription dated 1654, at Yelandur with exquisite relief

The earliest Kannada inscriptions are from the middle of the 5th century AD, but there are a number of earlier texts that may have been influenced by the ancestor language of Old Kannada.[35]

Iravatam Mahadevan, author of a work on early Tamil epigraphy, argued that oral traditions in Kannada and Telugu existed much before written documents were produced. Although the rock inscriptions of Ashoka were written in Prakrit, the spoken language in those regions was Kannada as the case may be. He can be quoted as follows:[36]

If proof were needed to show that Kannada was the spoken language of the region during the early period, one needs only to study the large number of Kannada personal names and place names in the early Prakrit inscriptions on stone and copper in Upper South India [...] Kannada was spoken by relatively large and well-settled populations, living in well-organised states ruled by able dynasties like the Satavahanas, with a high degree of civilisation [...] There is, therefore, no reason to believe that these languages had less rich or less expressive oral traditions than Tamil had towards the end of its pre-literate period.

The Ashoka rock edict found at Brahmagiri (dated to 250 BC) has been suggested to contain words (Isila, meaning to throw, viz. an arrow, etc.) in identifiable Kannada.[37][38][39]

In some 3rd–1st century BC Tamil inscriptions, words of Kannada influence such as Naliyura, kavuDi and posil were found. In a 3rd-century AD Tamil inscription there is usage of oppanappa vIran. Here the honorific appa to a person's name is an influence from Kannada. Another word of Kannada origin is taayviru and is found in a 4th-century AD Tamil inscription. S. Settar studied the sittanavAsal inscription of first century AD as also the inscriptions at tirupparamkunram, adakala and neDanUpatti. The later inscriptions were studied in detail by Iravatham Mahadevan also. Mahadevan argues that the words erumi, kavuDi, poshil and tAyiyar have their origin in Kannada because Tamil cognates are not available. Settar adds the words nADu and iLayar to this list. Mahadevan feels that some grammatical categories found in these inscriptions are also unique to Kannada rather than Tamil. Both these scholars attribute these influences to the movements and spread of Jainas in these regions. These inscriptions belong to the period between the first century BC and fourth century AD. These are some examples that are proof of the early usage of a few Kannada origin words in early Tamil inscriptions before the common era and in the early centuries of the common era.[40]

Pliny the Elder, a Roman historian, wrote about pirates between Muziris and Nitrias (Netravati River), called Nitran by Ptolemy. He also mentions Barace (Barcelore), referring to the modern port city of Mangaluru, upon its mouth. Many of these are Kannada origin names of places and rivers of the Karnataka coast of 1st century AD.[41][42][43]

The Greek geographer Ptolemy (150 AD) mentions places such as Badiamaioi (Badami), Inde (Indi), Kalligeris (Kalkeri), Modogoulla (Mudagal), Petrigala (Pattadakal), Hippokoura (Huvina Hipparagi), Nagarouris (Nagur), Tabaso (Tavasi), Tiripangalida (Gadahinglai), Soubouttou or Sabatha (Savadi), Banaouase (Banavasi), Thogorum (Tagara), Biathana (Paithan), Sirimalaga (Malkhed), Aloe (Ellapur) and Pasage (Palasige).[44] He mentions a Satavahana king Sire Polemaios, who is identified with Sri Pulumayi (or Pulumavi), whose name is derived from the Kannada word for Puli, meaning tiger. Some scholars indicate that the name Pulumayi is actually Kannada's 'Puli Maiyi' or 'One with the body of a tiger' indicating native Kannada origin for the Satavahanas.[45] Pai identifies all the 10 cities mentioned by Ptolemy (100–170 AD) as lying between the river Benda (or Binda) or Bhima river in the north and Banaouasei (Banavasi) in the south, viz. Nagarouris (Nagur), Tabaso (Tavasi), Inde (Indi), Tiripangalida (Gadhinglaj), Hippokoura (Huvina Hipparagi), Soubouttou (Savadi), Sirimalaga (Malkhed), Kalligeris (Kalkeri), Modogoulla (Mudgal) and Petirgala (Pattadakal), as being located in Northern Karnataka which signify the existence of Kannada place names (and the language and culture) in the southern Kuntala region during the reign of Vasishtiputra Pulumayi (c. 85-125 AD, i.e., late 1st century – early 2nd century AD) who was ruling from Paithan in the north and his son, prince Vilivaya-kura or Pulumayi Kumara was ruling from Huvina Hipparagi in present Karnataka in the south.[46]

An early ancestor of Kannada (or a related language) may have been spoken by Indian traders in Roman-era Egypt and it may account for the Indian-language passages in the ancient Greek play known as the Charition mime.[47]

The earliest examples of a full-length Kannada language stone inscription (śilāśāsana) containing Brahmi characters with characteristics attributed to those of proto-Kannada in Haḷe Kannaḍa (lit Old Kannada) script can be found in the Halmidi inscription, usually dated c. 450 AD, indicating that Kannada had become an administrative language at that time. The Halmidi inscription provides invaluable information about the history and culture of Karnataka.[48][49][50][51] A set of five copper plate inscriptions discovered in Mudiyanur, though in the Sanskrit language, is in the Pre-Old Kannada script older than the Halmidi edict date of 450 AD, as per palaeographers.

Followed by B. L. Rice, leading epigrapher and historian, K. R. Narasimhan following a detailed study and comparison, declared that the plates belong to the 4th century, i.e., 338 AD.[52][53][54][55][56][57] The Kannada Lion balustrade inscription excavated at the Pranaveshwara temple complex at Talagunda near Shiralakoppa of Shivamogga district, dated to 370 AD is now considered the earliest Kannada inscriptions replacing the Halmidi inscription of 450 AD.[58] The 5th century poetic Tamatekallu inscription of Chitradurga and the Siragunda inscription from Chikkamagaluru Taluk of 500 AD are further examples.[59][60][61] Recent reports indicate that the Old Kannada Gunabhushitana Nishadi inscription discovered on the Chandragiri hill, Shravanabelagola, is older than Halmidi inscription by about fifty to hundred years and may belong to the period AD 350–400.[62]

The noted archaeologist and art historian S. Shettar is of the opinion that an inscription of the Western Ganga King Kongunivarma Madhava (c. 350–370) found at Tagarthi (Tyagarthi) in Shikaripura taluk of Shimoga district is of 350 AD and is also older than the Halmidi inscription.[63][64]

Current estimates of the total number of existing epigraphs written in Kannada range from 25,000 by the scholar Sheldon Pollock to over 30,000 by Amaresh Datta of the Sahitya Akademi.[65][66] Prior to the Halmidi inscription, there is an abundance of inscriptions containing Kannada words, phrases and sentences, proving its antiquity. The 543 AD Badami cliff inscription of Pulakesi I is an example of a Sanskrit inscription in old Kannada script.[67][68]

Kannada inscriptions are discovered in Andhra Pradesh and Telangana, Maharashtra, Tamil Nadu Madhya Pradesh and Gujarat in addition to Karnataka. This indicates the spread of the influence of the language over the ages, especially during the rule of large Kannada empires.[69][70][71][72]

The earliest copper plates inscribed in Old Kannada script and language, dated to the early 8th century AD, are associated with Alupa King Aluvarasa II from Belmannu (the Dakshina Kannada district), and display the double crested fish, his royal emblem.[73] The oldest well-preserved palm leaf manuscript in Old Kannada is that of Dhavala. It dates to around the 9th century and is preserved in the Jain Bhandar, Mudbidri, Dakshina Kannada district.[74] The manuscript contains 1478 leaves written using ink.[74]

Some early Kadamba Dynasty coins bearing the Kannada inscription Vira and Skandha were found in Satara collectorate.[75] A gold coin bearing three inscriptions of Sri and an abbreviated inscription of king Bhagiratha's name called bhagi (c. 390–420 AD) in old Kannada exists.[76] A Kadamba copper coin dated to the 5th century AD with the inscription Srimanaragi in Kannada script was discovered in Banavasi, Uttara Kannada district.[77] Coins with Kannada legends have been discovered spanning the rule of the Western Ganga Dynasty, the Badami Chalukyas, the Alupas, the Western Chalukyas, the Rashtrakutas, the Hoysalas, the Vijayanagar Empire, the Kadamba Dynasty of Banavasi, the Keladi Nayakas and the Mysore Kingdom, the Badami Chalukya coins being a recent discovery.[78][79][80] The coins of the Kadambas of Goa are unique in that they have alternate inscription of the king's name in Kannada and Devanagari in triplicate,[81] a few coins of the Kadambas of Hangal are also available.[82]

Shankha Jain Basadi temple at Lakshmeshwar where the notable Adikavi Pampa wrote the Adipurana in Kannada language

The oldest known existing record of Kannada poetry in Tripadi metre is the Kappe Arabhatta record of 7th century AD.[49][83] Kavirajamarga by King Nripatunga Amoghavarsha I (850 AD) is the earliest existing literary work in Kannada. It is a writing on literary criticism and poetics meant to standardise various written Kannada dialects used in literature in previous centuries. The book makes reference to Kannada works by early writers such as King Durvinita of the 6th century and Ravikirti, the author of the Aihole record of 636 AD.[84][85] Since the earliest available Kannada work is one on grammar and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature in Kannada must have started several centuries earlier.[84][86] An early extant prose work, the Vaḍḍārādhane (ವಡ್ಡಾರಾಧನೆ) by Shivakotiacharya of 900 AD provides an elaborate description of the life of Bhadrabahu of Shravanabelagola.[87]

Some of the early writers of prose and verse mentioned in the Kavirajamarga, numbering 8–10, stating these are but a few of many, but whose works are lost, are Vimala or Vimalachandra (c. 777), Udaya, Nagarjuna, Jayabandhu, Durvinita (6th century), and poets including Kaviswara, Srivijaya, Pandita, Chandra, Ravi Kirti (c. 634) and Lokapala.[88][89][90][91][92] For fragmentary information on these writers, we can refer the work Karnataka Kavi Charite. Ancient indigenous Kannada literary compositions of (folk) poetry like the Chattana and Bedande which preferred to use the Desi metre are said to have survived at least until the date of the Kavirajamarga in 850 AD and had their roots in the early Kannada folk literature. These Kannada verse-compositions might have been representative of folk songs containing influence of Sanskrit and Prakrit metrical patterns to some extent. "Kavirajamarga" also discusses earlier composition forms peculiar to Kannada, the "gadyakatha", a mixture of prose and poetry, the "chattana" and the "bedande", poems of several stanzas that were meant to be sung with the optional use of a musical instrument.[90][93][94] Amoghavarsha Nripatunga compares the puratana-kavigal (old Kannada poets) who wrote the great Chattana poems in Kannada to the likes of the great Sanskrit poets like Gunasuri, Narayana, Bharavi, Kalidasa, Magha, etc. This Old Kannada work, Kavirajamarga, itself in turn refers to a Palagannada (Old Kannada) of much ancient times, which is nothing but the Pre-Old Kannada and also warns aspiring Kannada writers to avoid its archaisms, as per R. S. Hukkerikar. Regarding earlier poems in Kannada, the author of "Kavirajamarga" states that old Kannada is appropriate in ancient poems but insipid in contemporaneous works as per R. Narasimhacharya.[88][90][95] Gunanandi (900 AD), quoted by the grammarian Bhattakalanka and always addressed as Bhagawan (the adorable), was the author of a logic, grammar and sahitya. Durvinita (529–579 AD), the Ganga king, was the pupil of the author of Sabdavatara, i.e., Devanandi Pujyapada. Durvinita is said to have written a commentary on the difficult 15th sarga of Bharavi's Kiratarjuniya in Kannada. Early Kannada writers regularly mention three poets as of especial eminence among their predecessors – Samanta-bhadra, Kavi Parameshthi and Pujyapada. Since later Kannada poets so uniformly name these three as eminent poets, it is probable that they wrote in Kannada also. Samantabhadra is placed in 2nd century AD by Jain tradition. Old Kannada commentaries on some of his works exist. He was said to have born in Utkalikagrama and while performing penance in Manuvakahalli, he was attacked by a disease called Bhasmaka.[88] Pujyapada also called Devanandi, was the preceptor of Ganga king Durvinita and belonged to the late 5th to early 6th century AD. Kaviparameshthi probably lived in the 4th century AD. He may possibly be the same as the Kaviswara referred to in the Kavirajamarga, and the Kaviparameswara praised by Chavunda Raya (978 AD) and his spiritual teacher, Nemichandra (10th century AD), all the names possibly being only epithets.[96]

Kannada works from earlier centuries mentioned in the Kavirajamarga are not yet traced. Some ancient Kannada texts now considered extinct but referenced in later centuries are Prabhrita (650 AD) by Syamakundacharya, Chudamani (Crest Jewel—650 AD or earlier) by Srivaradhadeva, also known as Tumbuluracharya, which is a work of 96,000 verse-measures and a commentary on logic (Tatwartha-mahashastra).[97][98][99] Other sources date Chudamani to the 6th century or earlier.[92][100] An inscription of 1128 AD quotes a couplet by the famous Sanskrit poet Dandin (active 680–720 AD), highly praising Srivaradhadeva, for his Kannada work Chudamani, as having "produced Saraswati (i.e., learning and eloquence) from the tip of his tongue, as Siva produced the Ganges from the tip of his top-knot." Bhattakalanka (1604 CE), the great Kannada grammarian, refers to Srivaradhadeva's Chudamani as the greatest work in Kannada, and as incontestable proof of the scholarly character and value of Kannada literature. This makes Srivaradhadeva's time earlier than the 6th–7th century AD.[96] Other writers, whose works are not extant now but titles of which are known from independent references such as Indranandi's "Srutavatara", Devachandra's "Rajavalikathe",[90] Bhattakalanka's "Sabdanusasana" of 1604,[84] writings of Jayakirthi[101] are Syamakundacharya (650), who authored the "Prabhrita", and Srivaradhadeva (also called Tumubuluracharya, 650 or earlier), who wrote the "Chudamani" ("Crest Jewel"), a 96,000-verse commentary on logic.[84][92][100][102] The Karnateshwara Katha, a eulogy for King Pulakesi II, is said to have belonged to the 7th century;[101] the Gajastaka, a lost "ashtaka" (eight line verse) composition and a work on elephant management by King Shivamara II, belonged to the 8th century,[103] this served as the basis for 2 popular folk songs Ovanige and Onakevadu, which were sung either while pounding corn or to entice wild elephants into a pit ("Ovam").[101][104][105] The Chandraprabha-purana by Sri Vijaya, a court poet of emperor Amoghavarsha I, is ascribed to the early 9th century.[90] His writing has been mentioned by Vijayanagara poets Mangarasa III and Doddiah (also spelt Doddayya, c. 1550 AD) and praised by Durgasimha (c. 1025 AD).[106] During the 9th century period, the Digambara Jain poet Asaga (or Asoka) authored, among other writings, "Karnata Kumarasambhava Kavya" and "Varadamana Charitra". His works have been praised by later poets, although none of his works are available today.[91] "Gunagankiyam", the earliest known prosody in Kannada, was referenced in a Tamil work dated to 10th century or earlier ("Yapparungalakkarigai" by Amritasagara). Gunanandi, an expert in logic, Kannada grammar and prose, flourished in the 9th century AD.[90][92] Around 900 AD, Gunavarma I wrote "Sudraka" and "Harivamsa" (also known as "Neminatha Purana"). In "Sudraka" he compared his patron, Ganga king Ereganga Neetimarga II (c. 907–921 AD), to a noted king called Sudraka.[90][103] Jinachandra, who is referred to by Sri Ponna (c. 950 AD) as the author of "Pujyapada Charita", had earned the honorific "modern Samantha Bhadra".[107] Tamil Buddhist commentators of the 10th century AD (in the commentary on Neminatham, a Tamil grammatical work) make references that show that Kannada literature must have flourished as early as the BC 4th century.[108]

Around the beginning of the 9th century, Old Kannada was spoken from Kaveri to Godavari. The Kannada spoken between the rivers Varada and Malaprabha was the pure well of Kannada undefiled.[109]

The late classical period gave birth to several genres of Kannada literature, with new forms of composition coming into use, including Ragale (a form of blank verse) and meters like Sangatya and Shatpadi. The works of this period are based on Jain and Hindu principles. Two of the early writers of this period are Harihara and Raghavanka, trailblazers in their own right. Harihara established the Ragale form of composition while Raghavanka popularised the Shatpadi (six-lined stanza) meter.[110] A famous Jaina writer of the same period is Janna, who expressed Jain religious teachings through his works.[111]

The Vachana Sahitya tradition of the 12th century is purely native and unique in world literature, and the sum of contributions by all sections of society. Vachanas were pithy poems on that period's social, religious and economic conditions. More importantly, they held a mirror to the seed of social revolution, which caused a radical re-examination of the ideas of caste, creed and religion. Some of the important writers of Vachana literature include Basavanna, Allama Prabhu and Akka Mahadevi.[112]

Emperor Nripatunga Amoghavarsha I of 850 AD recognised that the Sanskrit style of Kannada literature was Margi (formal or written form of language) and Desi (folk or spoken form of language) style was popular and made his people aware of the strength and beauty of their native language Kannada. In 1112 AD, Jain poet Nayasena of Mulugunda, Dharwad district, in his Champu work Dharmamrita (ಧರ್ಮಾಮೃತ), a book on morals, warns writers from mixing Kannada with Sanskrit by comparing it with mixing of clarified butter and oil. He has written it using very limited Sanskrit words which fit with idiomatic Kannada. In 1235 AD, Jain poet Andayya, wrote Kabbigara Kava- ಕಬ್ಬಿಗರ ಕಾವ (Poet's Defender), also called Sobagina Suggi (Harvest of Beauty) or Madana-Vijaya and Kavana-Gella (Cupid's Conquest), a Champu work in pure Kannada using only indigenous (desya) Kannada words and the derived form of Sanskrit words – tadbhavas, without the admixture of Sanskrit words. He succeeded in his challenge and proved wrong those who had advocated that it was impossible to write a work in Kannada without using Sanskrit words. Andayya may be considered as a protector of Kannada poets who were ridiculed by Sanskrit advocates. Thus Kannada is the only Dravidian language which is not only capable of using only native Kannada words and grammar in its literature (like Tamil), but also use Sanskrit grammar and vocabulary (like Telugu, Malayalam, Tulu, etc.) The Champu style of literature of mixing poetry with prose owes its origins to the Kannada language which was later incorporated by poets into Sanskrit and other Indian languages.[104][113][114][115][116][117]

During the period between the 15th and 18th centuries, Hinduism had a great influence on Middle Kannada (Naḍugannaḍa- ನಡುಗನ್ನಡ) language and literature. Kumara Vyasa, who wrote the Karṇāṭa Bhārata Kathāman̄jari (ಕರ್ಣಾಟ ಭಾರತ ಕಥಾಮಂಜರಿ), was arguably the most influential Kannada writer of this period. His work, entirely composed in the native Bhamini Shatpadi (hexa-meter), is a sublime adaptation of the first ten books of the Mahabharata.[118] During this period, the Sanskritic influence is present in most abstract, religious, scientific and rhetorical terms.[119][120][121] During this period, several Hindi and Marathi words came into Kannada, chiefly relating to feudalism and militia.[122]

Hindu saints of the Vaishnava sect such as Kanakadasa, Purandaradasa, Naraharitirtha, Vyasatirtha, Sripadaraya, Vadirajatirtha, Vijaya Dasa, Gopala Dasa, Jagannatha Dasa, Prasanna Venkatadasa produced devotional poems in this period.[123] Kanakadasa's Rāmadhānya Charite (ರಾಮಧಾನ್ಯ ಚರಿತೆ) is a rare work, concerning with the issue of class struggle.[124] This period saw the advent of Haridasa Sahitya (lit Dasa literature) which made rich contributions to Bhakti literature and sowed the seeds of Carnatic music. Purandara Dasa is widely considered the Father of Carnatic music.[125][126][127]

The Kannada works produced from the 19th century make a gradual transition and are classified as Hosagannaḍa or Modern Kannada. Most notable among the modernists was the poet Nandalike Muddana whose writing may be described as the "Dawn of Modern Kannada", though generally, linguists treat Indira Bai or Saddharma Vijayavu by Gulvadi Venkata Raya as the first literary works in Modern Kannada. The first modern movable type printing of "Canarese" appears to be the Canarese Grammar of Carey printed at Serampore in 1817, and the "Bible in Canarese" of John Hands in 1820.[128] The first novel printed was John Bunyan's Pilgrim's Progress, along with other texts including Canarese Proverbs, The History of Little Henry and his Bearer by Mary Martha Sherwood, Christian Gottlob Barth's Bible Stories and "a Canarese hymn book."[129]

Modern Kannada in the 20th century has been influenced by many movements, notably Navodaya, Navya, Navyottara, Dalita and Bandaya. Contemporary Kannada literature has been highly successful in reaching people of all classes in society. Further, Kannada has produced a number of prolific and renowned poets and writers such as Kuvempu, Bendre, and V K Gokak. Works of Kannada literature have received eight Jnanpith awards,[130] the highest number awarded to any Indian language.[131]

• Most consonants can be geminated.
• Aspirated consonants very rarely occur in native vocabulary only in a few numerals like the number 9 and 80, which can be written with a /bʱ/, as in "ಒಂಭತ್ತು", ಎಂಭತ್ತು. However, it is usually written with a /b/, as in "ಒಂಬತ್ತು", ಎಂಬತ್ತು.
• The aspiration of consonants depends entirely on the speaker and many do not do it in non-formal situations.
• The alveolar trill /r/ may be pronounced as an alveolar tap [ɾ].
• The voiceless retroflex sibilant /ʂ/ is commonly pronounced as a /ʃ/ except in consonant clusters with retroflex consonants.
• There are also the consonants /f, z/ which occur in recent English and Perso-Arabic loans but they may be replaced by the consonants /pʰ, dʒ/ respectively by speakers.[148]

Additionally, Kannada included the following phonemes, which dropped out of common usage in the 12th and 18th century respectively:

• /r/ ಱ (ṟ), the alveolar trill.
• /ɻ/ ೞ (ḻ), the retroflex central approximant.

Old Kannada had an archaic phoneme /ɻ/ under retroflexes in early inscriptions which merged with /ɭ/ and it maintained the contrast between /r/ (< PD ∗ṯ) and /ɾ/ from (< PD ∗r). Both merged in Medieval Kannada.[148]

In old Kannada at around 10th-14th century, most of the initial /p/ debuccalized into a /h/ e.g. OlKn. pattu, MdKn. hattu "ten".[149]

Kannada lacks the palatalization of k's before front vowels which was done by Tamil-Malayalam languages and independently by Telugu, e.g. Kn. kivi, Ta. cevi, Te. cevi "ear".[150]

• /ɐ/ and /aː/ are phonetically central [ɐ, äː]. /ɐ/ may be as open as /aː/ ([ä]) or higher [ɐ].
• The vowels /i iː e eː/ may be preceded by /j/ and the vowels /u uː o oː/ may be preceded by /ʋ/ when they are in an initial position.
• The short vowels /a i u e o/, when in an initial or a medial position tend to be pronounced as [ɐ ɪ ʊ ɛ ɔ]. In a final position, this phenomenon occurs less frequently.
• /æː/ occurs in English loans but can be switched with /aː/ or /ja:/.[148]

At around the 8th century, Kannada raised the vowels e, o to i, u when before a short consonant and a high vowel, before written literature emerged in the language, e.g. Kn. kivi, Ta. cevi, Te. cevi "ear".[151]

Compound bases, called samāsa in Kannada, are a set of two or more words compounded together.[154] There are several types of compound bases, based on the rules followed for compounding. The types of compound bases or samāsas: tatpurusha, karmadhāraya, dvigu, bahuvreehi, anshi, dvandva, kriya and gamaka samāsa. Examples: taṅgāḷi, hemmara, kannusanne.

In many ways the third-person pronouns are more like demonstratives than like the other pronouns. They are pluralised like nouns and the first- and second-person pronouns have different ways to distinguish number.[155]

All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.

ಎಲ್ಲಾ ಮಾನವರು ಸ್ವತಂತ್ರರಾಗಿಯೇ ಹುಟ್ಟಿದ್ದಾರೆ ಹಾಗು ಘನತೆ ಮತ್ತು ಅಧಿಕಾರಗಳಲ್ಲಿ ಸಮಾನರಾಗಿದ್ದಾರೆ. ತಿಳಿವು ಮತ್ತು ಅಂತಃಕರಣಗಳನ್ನು ಪಡೆದವರಾದ್ದರಿಂದ, ಅವರು ಒಬ್ಬರಿಗೊಬ್ಬರು ಸಹೋದರ ಭಾವದಿಂದ ನಡೆದುಕೊಳ್ಳಬೇಕು.

Ellā mānavaru svatantrarāgiyē huṭṭiddāre hāgu ghanate mattu adhikāragaḷalli samānarāgiddāre. Tiḷivu mattu antaḥkaraṇagaḷannu paḍedavarāddarinda avaru obbarigobbaru sahōdara bhāvadinda naḍedukoḷḷabēku.

/ellaː maːn̪ɐʋɐɾu sʋɐt̪ɐn̪t̪ɾɐɾaːɡijeː huʈʈid̪d̪aːɾe haːɡu gʱɐn̪ɐt̪e mɐt̪t̪u ɐd̪ʱikaːɾɐɡɐɭɐlli sɐmaːn̪ɐɾaːɡid̪d̪aːɾe ǁ t̪iɭiʋu mɐt̪t̪u ɐn̪t̪ɐkkɐɾɐɳɐɡɐɭɐn̪n̪u pɐɖed̪ɐʋɐraːd̪d̪ɐɾin̪d̪ɐ ɐʋɐɾu obbɐɾiɡobbɐɾu sɐhoːd̪ɐɾɐ bʱaːʋɐd̪in̪d̪ɐ n̪ɐɖed̪ukoɭɭɐbeːku ǁ/