Camp Unity

Camp Unity was a communist-affiliated summer resort for adults located in Wingdale, New York. It was one of the first multiracial camps of its kind in the United States.[1]

History

Camp Unity was founded in 1927 and described itself as "the first proletarian summer colony."[2] The camp was located in the Berkshire Mountains near the border of New York state and Connecticut, just east of Poughkeepsie. It was one of several "workers' retreats" founded outside of major East Coast urban centers by the Communist Party and related socialist organizations.[3]

The camp began as an outgrowth of the cooperative housing movement of the 1920s, and its founders were members of the International Ladies Garment Workers Union. In the early days guests were predominantly Jewish, but over time Camp Unity drew a more racially and religiously diverse crowd.[4] It was unusual for leisure resorts to be integrated in the early 20th-century United States, and the camp's tolerant atmosphere and proximity to New York City was attractive to vacationers seeking a progressive environment.[3] Broadway producer and former camp staffer Philip Rose later described the integrated clientele as "almost unique among the major Catskills resorts."[5]

The camp offered a full slate of athletic activities like tennis, volleyball, and horseback riding, as well as games like ping-pong and horseshoes.[6] Vacationers also enjoyed boating and swimming in nearby Lake Ellis.[7] Musical and theatrical entertainments were on offer as well, held in a hall that could seat an audience of a thousand.[8]

Camp Unity advertised a no-tipping policy, on the basis that its workers were unionized and paid a fair wage.[7]

Culture

Camp Unity was well-known for its cultural programming, which included performances by jazz musicians Sidney Bechet, Dizzy Gillespie, and Frank Newton.[9] Organizers offered free stays at the camp to entertainers in exchange for their work, which made it a popular getaway for big-name actors, directors, and musicians.[3] Many of these artists shared an ideological or political affinity with Camp Unity's leftist origins, but not all – Sidney Bechet's pianist Willie "The Lion" Smith later recalled that it was "the most mixed-up camp I ever saw or heard about ... I couldn't see anything in that Communism stuff."[3]

With so many leading artists and performers passing through, the camp had a lasting cultural influence in leftist circles and beyond.[10] The popular protest song "Joe Hill" was first sung at a 1936 performance at Camp Unity, the product of a collaboration between the camp's musical director Earl Robinson and the poet Alfred Hayes, a camp staffer.[11]

The musicians, directors, and actors hired as summer staff frequently collaborated on original plays and tried out new material on camp audiences. The writer Julian Mayfield debuted his one-act play 417 at the camp before adapting the text into his first novel, The Hit.[3] Camp Unity's theatrical staff even toured a pair of original shows to New York City in the fall of 1949, taking up residence on 14th St as the "Freedom Theatre" and presenting work by Carl Abrams, Elmer Bernstein, and Bob deCormier.[12] The productions featured integrated casts and politically progressive themes.[13]

In 1954, playwright Lorraine Hansberry began working as director of the outdoor Lawn Program entertainment alongside her friend and fellow playwright Alice Childress, the director of drama.[2] As part of her work, Hansberry facilitated a visit to the camp by W.E.B. Du Bois and his wife Shirley Graham Du Bois.[14] Hansberry had previously worked at Camp Unity as a waitress, and it was in that role that she first met and befriended future Broadway producer Philip Rose, who was then working as a singer at the camp. Hansberry's play A Raisin in the Sun would make its Broadway debut in 1959 with Rose as a producer.[15] Other theatrical luminaries who worked at Camp Unity included actors Herschel Bernardi and Lonne Elder, III.[5]

Red scare investigations

Camp Unity was among the organizations investigated by the House Un-American Activities Committee (HUAC) during the period now known as the Second Red Scare. This was not the first time it had come under federal scrutiny for its Communist Party connections; in 1930 members of the anti-Communist Fish Committee visited the camp for an inspection. They were met with ridicule and protests from camp residents, who escorted the representatives off the grounds while singing the Internationale.[16]

The FBI informer Harvey Matusow, who later recanted the majority of his allegations, testified before HUAC in 1952 about Communist activity he observed during a 1947 stay at Camp Unity, delivering lurid, exaggerated tales of indoctrination and "sexual immorality."[17]

The camp's entertainment director, Elliott Sullivan, was compelled to testify before HUAC in 1955. He refused to cooperate with their questioning about his political and personal associations, and was indicted for contempt of Congress.[18][19] That same year, Camp Unity was one of the organizations involved in a New York state investigation into possible Communist affiliations among summer camps and resorts. The committee subpoenaed Janet Moore, a onetime camp guest, in an attempt to compel her to name the individuals who had recommended she stay there. Like Sullivan, Moore refused to name names.[20]

In 1957, two black New York City police officers alleged that they had been passed over for promotions because they had vacationed at Camp Unity.[21] One of them, John Hughes, eventually received a promotion to sergeant after a sustained legal battle.[22]

Notable guests and residents

References

  1. Washington, Mary Helen (2014). The Other Blacklist: The African American Literary and Cultural Left of the 1950s. New York: Columbia University Press. p. 18.
  2. Perry, Imani (2018). Looking for Lorraine: a Life of Lorraine Hansberry. Boston: Beacon Press. pp. 68–69.
  3. Romine, David Tyroler (2018). 'Into the Mainstream and Oblivion': Julian Mayfield's Black Radical Tradition, 1948-1984. Ann Arbor: Duke University Press via ProQuest.
  4. Saroff, Sophie (1983). Stealing the State (Report). New York: Community Documentation Workshop.
  5. Rose, Philip (2001). You Can't Do that on Broadway! A Raisin in the Sun and Other Theatrical Improbabilities. Limelight Editions. p. 41.
  6. "The Berkshire's Camp Unity Holds Negro Week Celebration." New York Amsterdam News (1943-1961), City edition ed., Jul 24 1943, p. 12. ProQuest. Web. 10 Aug. 2021 .
  7. Cohen, Jeannette (14 September 1944). "As I See It!". The California Eagle (Los Angeles) via Newspapers.com.
  8. "Camp Unity Hall has $50,000 Fire." New York Amsterdam News (1943-1961), City edition ed., Aug 05 1950, p. 22. ProQuest. Web. 10 Aug. 2021 .
  9. Denning, Michael (1996). The Cultural Front: The Laboring of American Culture in the Twentieth Century. Verso Books. p. 489.
  10. Mandel, William (1996). "Mother Sang, I Sang". Zyzzyva. XII (2): 132–135.
  11. Cohen, Ronald D. (2016). Depression Folk: Grassroots Music and Left-Wing Politics in 1930s America. Project MUSE. University of North Carolina Press.
  12. "'Freedom Theatre' Opens Nov. 26." New York Amsterdam News (1943-1961), City edition ed., Nov 12 1949, p. 15. ProQuest. Web. 10 Aug. 2021 .
  13. "New Freedom Theatre Gives Fresh Approach to Stage." New York Amsterdam News (1943-1961), City edition ed., Dec 10 1949, p. 28. ProQuest. Web. 10 Aug. 2021 .
  14. Colbert, Soyica Diggs (2021). Radical Vision: A Biography of Lorraine Hansberry. Yale University Press. p. 53.
  15. Rousuck, J. Wynn (November 11, 2001). "Playwright-to-be 'just startled me,' producer recalls". baltimoresun.com. Archived from the original on July 12, 2021. Retrieved August 10, 2021.
  16. From a Staff Correspondent of The New York Times. "REDS IN CAMPS BOO FISH COMMITTEE" New York Times (1923-Current file), Jul 22 1930, p. 17. ProQuest. Web. 10 Aug. 2021 .
  17. Lichtman, Robert M.; Cohen, Robert D.; Cohen, Ronald D. (2004). Deadly Farce: Harvey Matusow and the Informer System in the McCarthy Era. University of Illinois Press.
  18. "Elliott Sullivan". The Los Angeles Times. 1974-06-05. p. 67. Retrieved 2021-08-10.
  19. By, MILTON B. "4 MORE WITNESSES DEFY HOUSE GROUP ON LINKS TO REDS." New York Times (1923-Current file), Aug 17 1955, p. 1. ProQuest. Web. 10 Aug. 2021 .
  20. Bracker, Milton. "Canadian nurse balks red query: citizenship applicant won't tell state inquiry who sent her to camps." New York Times (1923-Current file), Aug 25 1955, p. 12. ProQuest. Web. 10 Aug. 2021 .
  21. "Uptown lowdown: top draw stuff." New York Amsterdam News (1943-1961), City edition ed., Apr 13 1957, p. 9. ProQuest. Web. 10 Aug. 2021 .
  22. "Sgt.'s Court Fight Leads to Promotion." New York Amsterdam News (1943-1961), City edition ed., Jul 19 1958, p. 7. ProQuest. Web. 10 Aug. 2021 .
  23. Barron, James (2016-09-25). "Everyone Knows Peter, Paul and Mary. But What About Bob?". The New York Times. ISSN 0362-4331. Retrieved 2021-08-10.
  24. Jones, Jr., Rufus (2015). Dean Dixon: Negro at Home, Maestro Abroad. Rowman & Littlefield. p. 44.
  25. Shipton, Alyn (2001). Groovin' High: The Life of Dizzy Gillespie. Oxford University Press. p. 44.
  26. Chura, Patrick (2020). Michael Gold: The People's Writer. State University of New York Press.
  27. Lorraine Hansberry Literary Trust. "Robert Nemiroff and Lorraine Hansberry". www.lhlt.org. Archived from the original on August 10, 2021. Retrieved August 10, 2021.
  28. Epstein, Lawrence J. (2010). Political Folk Music in America from Its Origins to Bob Dylan. McFarland, Incorporated, Publishers. p. 30.
  29. "George Pickow obituary". The Guardian. January 13, 2011. Retrieved August 10, 2021.
  30. "Carl Rakosi". The "Objectivists". December 11, 2016. Retrieved August 10, 2021.
  31. Murray-Irizarry, Néstor (2003). Rafael Ríos-Rey: The First Puerto Rican Muralist. Casa Paoli/Sociedad de Amigos de Rafael Ríos-Rey.
  32. Major, Gerri. "Robeson Jr. Wedding Wins Spotlight here." New York Amsterdam News (1943-1961), City edition ed., Jun 25 1949, p. 1. ProQuest. Web. 10 Aug. 2021 .
  33. Nelson, Carey; Rolfe, Edwin; Hendricks, Jefferson (1990). Edwin Rolfe: A Biographical Essay and Guide to the Rolfe Archive at the University of Illinois at Urbana-Champaign. University of Illinois Library. p. 15.

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