Bunkar: The Last of the Varanasi Weavers

Bunkar: The Last of the Varanasi Weavers is an Indian documentary that focuses on the lives of the weavers of Varanasi. It was directed by Satyaprakash Upadhyay.[1] It showcases the nuances of the handloom sector in Varanasi, what makes it stand out from other handloom products and the issues that affect its artisans. The film was made in 2018 and had its world premiere in the Indian Panorama at 49th International Film Festival of India in Goa.[2] The film's director, Satyaprakash Upadhyay, has also won Best Debutante Director (Documentary) Award at Jaipur International Film Festival (JIFF) 2019. It won "Best arts and culture film" in the 2018 National Film Awards.[3]

Bunkar: The Last of the Varanasi Weavers
Directed bySatyaprakash Upadhyay
Story bySarah Lucy Beach
Produced bySapana Sharma
CinematographyVijay Mishra
Edited byArunabha Mukherjee
Music byAnkit Shah
Running time
67 minutes
CountryIndia
LanguageEnglish

Background

Varanasi or Kashi is known to have been, and continues to be a famous weaving center for luxury textiles. The Varanasi handloom sector has been in a state of decline, and has been the subject of efforts to revive it by the government of India.[4][5]

Story

Bunkar: The last of the Varanasi Weavers is a documentary that focuses on the lives of the weavers of Varanasi. It highlights the various nuances of the handloom sector in Varanasi, what makes it stand out from other handloom products and the issues that plague its artisans.[6]

The weaving traditions of Varanasi can be traced back to the Vedic times and have since been handed down from generation to generation. Not a skill that can be taught in any institution, weaving is an art that takes a lifetime of dedication to master. The weavers of Varanasi pride themselves in being able to weave with precision almost anything that the human mind can imagine. But, an art of this prominence comes at a price. Aspirant artisans start their training at the age of 10 and often even sacrifice all forms of formal education so they can perfect their talents.

With cheap powerloom fabrics[7] rapidly making their way into our wardrobes, the weavers and their families stand at a cross roads. As they shoulder the responsibility of safeguarding centuries of tradition, they also crave the benefaction from society that they once enjoyed. Having to compete on cost, without willing to compromise on the quality of their art, the preservers of our heritage are struggling to hold on to their vocation and dignity. Bunkar is an attempt to awaken society to the reality of the life of a weaver and the price he pays so that our Indian legacy lives for one more day.

While celebrating the weaves of Varanasi and their creators, the documentary compels us to rethink the role each one of us can play in making a difference to their lives. For every time that art has played its role in shaping society, today an art is calling out to us. If we do not step up now, we may lose it forever.

Accolades

References
  1. "Satyaprakash Upadhyay – Filmmaker". Retrieved 21 April 2019.
  2. Khan, Murtaza Ali (23 November 2018). "A window to Indian cinema". The Hindu. ISSN 0971-751X. Retrieved 11 December 2018.
  3. "PIB Press Release 66 National Film Awards".
  4. Panicker, Anahita (5 May 2018). "In this documentary, Varanasi's sari weavers talk about their craft and its present state of decline". The Hindu. ISSN 0971-751X. Retrieved 21 May 2020.
  5. "Hanging on a Thread". The Indian Express. 8 August 2018. Retrieved 21 May 2020.
  6. Sariya, Tasneem (10 September 2018). "Bunkar – The Last of the Varanasi Weavers". Caleidoscope | Indian Culture, Heritage. Retrieved 24 January 2019.
  7. "Varanasi's sari bunkars say a glorious tradition is hanging by a thread". The Indian Express. 10 March 2019. Retrieved 10 March 2019.
  8. "Indo German FilmWeek 2019 Program".
  9. "66th National Film Awards: Full winners list". India Today. 9 August 2019. Retrieved 11 August 2019.
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