Sansepolcro

According to tradition the founding of the town came about through two 9th-century pilgrims to the Holy Land, Arcanus and Giles, who returned to the region and built a chapel dedicated to Saint Leonard—whose ruins now lie underneath the current Cathedral of Sansepolcro—where they established a monastic way of life. They had brought a stone from the Church of the Holy Sepulchre in Jerusalem (thus, San Sepolcro) with them from that shrine which led to the name of the monastery, as it became a popular pilgrimage site. It soon grew to become the Benedictine Abbey of Sansepolcro (the Badia). The monastery was declared an abbey nullius.[3]

The first historical mentions of Sansepolcro date to 1012, referring to the construction of the monastery, around which a commune began to develop due to its being declared a market town by the Emperor Conrad II, Holy Roman Emperor.[4] The abbey chose to affiliate itself with the monks of the Camaldolese Order, based in the area, in the following century. During the conflicts between the Guelfs and Ghibellines, the town's factions were headed by prominent local families, including the Pichi, Bercordati, Graziani and Bacci.[5]

Due to its central location on the local trade routes, in the 13th century control of the town was contested and seized by various forces of the region, passing from Uguccione della Faggiola, Lord of Pisa, to Guido Tarlati, Bishop of Arezzo, and his brother, Pier Saccone Tarlati di Pietramala, who ruled it from Città di Castello, and then to the rule of the Papal States. The local dialect in fact derives from the Citta' di Castello one and the Casentino valley one that arrived later. In 1367 Pope Urban V gave the town and its surrounding contrada to the Malatesta family, whose heirs ruled it until control was assumed by the Republic of Florence in the 15th century with the approval of Pope Eugene IV. It was raised to the rank of a city a century later by Pope Leo X.

During World War II, the town was saved from destruction by the efforts of Tony Clarke, a British Royal Horse Artillery officer who halted the Allied artillery attack in order to save Piero della Francesca's fresco Resurrection.[6]

The main church is the Cathedral of St. John the Evangelist built in Gothic-Romanesque style in 1012–49. Other churches of note are San Francesco and San Lorenzo. The latter church has a Deposition by Rosso Fiorentino.

The English writer Aldous Huxley described the Resurrection by Piero della Francesca, which is in the Museo Civico, as "the greatest painting in the world".[7] The museum collection includes three other works by Piero della Francesca and many other treasures including paintings by Santi di Tito, Raffaellino del Colle and Luca Signorelli.

• Convento di Montecasale
• Diocese of Sansepolcro
• Eduino Francini
• St. Quentin (Pontormo)
• Teatro Dante