Museum Boerhaave

0 Museum Foyer[10]

Gaper

Gaper

Gaper

Gapers (wooden heads miming the swallowing of pills) and other shop signs for pharmacies and druggists. Also a 'dictionary of health': a tall book-shaped wooden chest (1660) filled with simples (basic substances used in medicine).

1 Leiden Anatomical Theater[11]

Dissection of a roe deer during the 2nd Leiden Museum Night in the Anatomical Theatre by an animal taxidermist with assistants from Naturalis. The deer had died earlier in a road accident.

The anatomical theatre at Leiden University in the early 17th century

Reconstruction of the anatomical theatre (1988)

Skeletons around Anatomical Theatre

Surgeons instrument chest used by the Leiden surgeons’ guild and decorated with the coats-of-arms of board members

The room shows a reconstruction (1988) of the Theatrum Anatomicum (anatomical theatre) (built 1596). A richly decorated instrument chest (1670) which belonged to the Leiden surgeon's guild. A small collection of objects (largely Egyptian antiquities) that survived from the now gone Leiden Theatrum (one of the oldest museums of Europe ) are shown as well. On the wall three paintings: one depicting the magistrates of the Catharina and Caecilia Hospitals (the latter now houses the museum), a second showing a Prussian peasant from whom a 10-inch sword, swallowed in a drinking bout, has surgically been removed, a third showing renowned surgeon and designer of medical instruments Cornelis Solingen (1680). One of Solingen's inventions (part of the collection) was a screw to unindent a soldiers skull who had been hit by a bullet. Often in those days bullets did not fully penetrate a skull, merely deformed it.[12]

2 Drawn from life[13]

Four large allegoric paintings (± 1610) show in stages how the appreciation of a patient for his physician declines, from being a true savior when the illness is at its height, towards being a devil when the bill has been delivered. Three solid figures of Saints Cosmas and Damian, patrons of doctors and pharmacists. Six anatomical books and drawings (1520–1570) and six books on herbs (1480–1590) testify how in the Renaissance there was an urge to study life diligently and not take traditional beliefs for granted. A large collection of baked and painted apothecary jars (1550–1650) and (often ornamented) cast-iron and bronze mortars (1350–1700).

3 The Golden Age[14]

Room 3: The Golden Age

Christiaan Huygens

Spring driven pendulum clock, designed by Huygens, built by instrument maker Salomon Coster (1657), and manuscript Horologium Oscillatorium

Snellius Quadrant

Astronomy

The following two rooms are dedicated to an era of blossom for the University of Leiden, the oldest university of the Netherlands (founded in 1575).

4 University of Leiden

Boerhaave and ‘s Gravensande[15]

Room 4: University of Leiden, Boerhaave and ‘s Gravensande

Fahrenheit thermo barometer

Demonstration device

This large room is dedicated to physician, botanist and chemist Herman Boerhaave, physicist Willem 's Gravesande and instrument-maker Jan van Musschenbroeck. On display are large globes and a tiny pocket globe (all ~1700), each depicting heaven and earth. A table size planetarium by clock-maker Steven Tracy Mercury shows Venus, Earth with its moon, Mars, Jupiter with four moons and Saturn. There is also a large star atlas.

Air pumps (1670–1730) and demonstration devices, notably several Magdeburg hemispheres, were made to explore the properties of the newly discovered vacuum. Other devices did the same for centrifugal force, collisions and laws of momentum, and gravity.

Hydrometers, an aerometer, a hydrostatic bellows, a balance and steam pump, several table-top fountains all were used to look into hydrostatic pressure, and capillary attraction.

Also shown are a large set of mathematical instruments to measure angles: sectors, a protractor and beam compass.

A collection of balances, levers, tackles demonstrate laws of statics.

A variety of lenses, prisms, a slit, trays and screens explore optics. About ten screw-barrel and compound microscopes (1710–1780) demonstrate how this young science underwent dramatic progress in few years. A variety of curved mirrors, used as anamorphic toys, show how a deliberately distorted image can be restored back to the original.

The room also houses a range of instruments (levers and forceps) used to facilitate childbirth.

Lastly, shown are models of three out of five of Archimedes' so called simple machines (lever, inclined plane, wedge, screw and wheel), several hydrostatic balances to demonstrate Archimedes' law and two tables of forces which demonstrate interactions of forces in a horizontal plane.

5 The University of Leiden

Linnaeus and Van Musschenbroek[16]

Magdeburg hemispheres

Carl Linnaeus published his famous Systema Naturae in 1735, during his 3-year stay in the Dutch Republic, in which he also earned a degree in medicine, and closely worked together with Boerhaave. At display are paintings of Linnaeus and Boerhaave. Also 18th-century models and scientific measuring instruments: models that demonstrate basic physics principles, and instruments: several antique thermometers, a barometer, a theodolite and several pyrometers. Also two antique globes (one showing the heavens, one earth) and two mirror telescopes. The room is conamed after the brothers van Mussenbroeck: Pieter a professor, credited with the invention of the first capacitor in 1746: the Leyden jar, and Jan a famous instrument maker, who shipped his hand crafted precision thermometers all over Europe.

6 Wonders of nature[17]

Room 6: Wonders of Nature

Over 30 antique microscopes are shown, most from the 18th century, in a large variety, with different solutions for lighting the subject and minimization of lens defects (e.g. chromatic aberration): simple, compound and reflecting microscopes, so called English microscopes (renowned for their quality), solar microscopes (which project their image on a wall, using sunlight only). Several wooden cabinets with microscopic slides are testimony of the craftsmanship than went into collections of ready made samples, which at the time were highly fashionable among well-to-do citizens who took an interest in scientific developments.

7 Collection: The Albinus Brothers[18]

Room 7: Specimens prepared by Bernhard Siegfried Albinus (1697–1770) and his brother Frederik Bernhard

Specimen by brothers Albinus

The room is dedicated to famous 18th-century anatomist Bernhard Siegfried Albinus and his brother and successor Frederik Bernhard Albinus, showing a few of the over 750 wet and dry anatomical samples that Bernhard Siegfried collected, and a wide variety of medical instruments (most 1670–1700) collected by his brother: several amputation saws and knives, cauterizing irons, a wide variety of forceps and clamps, spatula's, an elevator, a bullet extractor and brace, several (drill) crowns, two drills, a lenticular, several elevatoriums, a chuck key, a coach screw, a retractor, lithotomy scoops, a Phimosis knife, gorgerets, a catheter, a bistoury cache, a combined syringotome and seton needle, a wound retractor, lithotomy directors, probes, a tobacco enema

8 Collection: Sebaldus Justinus Brugmans[19]

Specimen by Sebaldus Justinus Brugmans

Skull by Sebaldus Justinus Brugmans

Sebald Justinus Brugmans was a Dutch botanist, physician and professor of natural sciences. As an army physician he became notable for his battle against unsanitary conditions, and spread of contagious diseases. The room shows a large collection of fish skins ('the protected body'), human skulls (some affected by accident or disease), animal skulls (mainly birds) and a variety of other anatomic samples, including some foetuses in a jar.

10 Hendrik Bosch's collection of medicine, Butterfly cabinet[20]

The room houses a large simples cabinet (1760), from Amsterdam physician Hendrik Bosch. Also a large cabinet with butterflies (1760) (content lost) from Christiaan Sepp and son, who published a work on butterflies and insects in several volumes (1762–1860).

9 Collection: Nature in drawers and cabinets[21]

A large collection of shells. Four book shaped boxes (1809), out of a collection of 150, each box made of wood of a particular tree or shrub and filled with its wood, leaves, seeds and fruits. Also on display cases with butterflies and beetles. Lastly a portrait of Abraham Nieuwland (1780).

11 Collection: Theodoor Gerard van Lidth de Jeude[22]

Shown are a collection of 19th century animal organ specimens (protected against decay with wax and varnish) which had been prepared for research (e.g. comparative anatomy), and educational purposes (e.g. veterinarian school). Also shown are anatomical drawings from that same period. Many specimens and drawings are from large mammals, cattle but even more large mammals of non European origin.

12 Collection: Repositories of the animal kingdom[23]

The room shows wax models of human and animal brains (1850–1870), prepared for educational purposes. Also display boxes with carefully arranged human hand bones and foot bones, and several skeletons of small animals. Also some 25 jars containing animals in preservative fuels (alcohol, formalin), some anatomically prepared to show inner organs (1830–1910). Part of the collection in the room was prepared by Jan van der Hoeven (1802–1868), professor of Zoology, Comparative Anatomy, Anthropology, Mineralogy and Geology at the University of Leiden. His portrait is on display. Van der Hoeven studied members of 'exotic races' (as it was called at the time), and produced a large amount of visual materials (drawings, engravings, lithographs). Three of these visual studies are on display.

13 Collection: Petrus Koning[24]

Anatomical wax models by Petrus Koning (1787–1834), anatomical gouaches

14 Temporary exhibition space

15 Temporary exhibition space

16 Electricity and light[25]

Leiden Jars

Leiden Jars

This room is dedicated to the scientific and technical progress in fields of electricity and optics in the 19th century. Inventions like telegraphy and the camera had a revolutionary and lasting impact on everyday life.

The room shows a collection of 'microscopes (compound, binocular, achromatic, inverted) (1730–1860) and attributes. A set of instruments for optical chemical analysis (1850–1900): a crystal goniometer, a polarimeter, a saccharimeter, a spectroscope, a bunsen burner, a solution tube, gas-discharge tubes. Devices to study, demonstrate and explain the physical qualities of light: prisms and lenses, a heliostat and carbon arc lamp (with clockwork)(1820–1870). A collection of applied optics: a camera, sextant, stereoscope, several telescopes, mechanical lantern slides, a repeating reflecting circle (?), a phantascope (two discs, one with slits, one with images, which when rotating in opposite directions create a cinematographic effect), a projection lantern (1770–1860). Several telescopes: achromatic telescopes (1770 and 1850) and a reflecting telescope (1830). Several electrostatic devices: batteries composed of leyden jars and electrical machines (1770–1800) that were used to generate electricity. A variety of electrostatic toys and experimentation kits (1770–1820) to amuse and educate the public. Some show cases still to do.

17 Zander Devices[26]

Zander devices

Devices for physiotherapy using the method of Swedish physician Gustav Zander, developed ca. 1865. These devices featured on two world exhibitions. Their success led to 120 Zander institutes worldwide.

18 Specialisation in medicine[27]

Room 18: Specialization in Medicine

19 The Anatomical world of Dr Auzoux[28]

Room 19: Anatomical World of Auzoux

Model of eye, by Dr. Auzoux

French doctor Louis Auzoux (1797–1870) pioneered the use of papier-mâché for highly detailed and colored anatomical models, with detachable parts, which allowed mass production for educational purposes. A selection of the many models on display: many human body parts, for example a box set with a model of female sexual organs plus almost 20 embryonic stages, models of the womb for every month of pregnancy. For purposes of comparative anatomy: models of brain or nervous system of diverse animals, models of blood circulation in diverse animals (e.g. a turtle, a crocodile), models of stomach or alimentary canal (e.g. octopus, honey bee).

20 Chemistry: Dutch First Nobel Prize[29]

Jacobus Henricus van 't Hoff

Distilling apparatus

Plaster model of energy surface for carbon dioxide

Dutch scientist Jacobus Henricus van 't Hoff (1852–1911) was the first person to receive the Nobel Prize in Chemistry, for his discovery of the laws of chemical dynamics and osmotic pressure in solutions.

In the room hangs a painted portrait of van 't Hoff. His golden Nobel prize medal, and a lab journal are also shown. Also a variety of elementary equipment for a chemical laboratory: a distilling apparatus for water (1860), dilatometers, thermometers, hydrometers, alcohol meters, an oleometer, a colorimeter (1880), pycnometers (some with thermometer), pipettes, burettes, volumetric flasks, a boiling flask, a spectral burner and spectroscope (1880), polarimeters, a kipp generator (1850), sample collections of experimental chemicals (some in wooden boxes), an evaporating basin, gas burners, an oxyhydrogen voltmeter, apparatus for electrolysis, an analytical balance, cork presses, a refractometer (1910), a flash point apparatus for petroleum, a circular slide rule.

21 Physics: Factories of Science[30]

Hendrik Lorentz

Pieter Zeeman

Diederik van der Waals

Heike Kamerlingh Onnes

In the early years of the 19th century, 4 Dutch physicists received a Nobel Prize in quick succession. This room is dedicated to their work and legacy.

• In 1902 Hendrik Lorentz (1853–1928) and Pieter Zeeman (1865–1943). For their combined work on and discovery of the Zeeman effect, where spectral lines split under the influence of a magnetic field.
• In 1910 Johannes Diderik van der Waals (1837–1923) thermodynamicist famous for his work on an equation of state for gases and liquids.
• In 1913 Heike Kamerlingh Onnes (1853–1926). Onnes was the first to liquefy helium (1908), and the discoverer of superconductivity. For many years his laboratory was the coldest place on earth.

Paul Ehrenfest, Hendrik Lorentz and Niels Bohr visit Heike Kamerlingh Onnes (1919) in the cryogenic lab. Some instruments are now in the museum (room 21)

Room 21: Physics

Giant Electromagnet 2.5 x 2.5 x 2 meters

Helium liquefier (detail)

On display are a helium liquefier and associated tools, devices to measure superconductivity (e.g. rheostats), and to automatically record measurements: a cathode tube, a thermograph, drum recorders and a paper tape recorder.

Also large (from today's perspective) devices, mostly made from wood and copper, to measure and display electricity (1900–1930): volt meters, a resistance box, radio valves, a universal bridge, mirror galvanometers, a quadrant electrometer .

Apparatuses to study radiation: a Wilson cloud chamber, an electrometer with ionization chamber, X-ray, cathode-ray and canal ray tubes, a fluorescent lamp.

Equipment to study the properties of light (and radio waves in general), including the wave–particle duality (most 1900–1910): a slit, a polarizer, a photo-electric cell, a Fresnel double mirror, lenses, an induction coil, a photosensitive resistor, a spectroscope, an oscillograph, a wireless receiver, a microphone, standards of self-induction.

Also Zeeman's Nobel Prize diploma and medal and a lab diary, an electromagnet with polar pieces, 3D plaster models to visualize thermodynamic properties (e.g. phase transitions).

22 Medicine: Man as a machine[31]

Kolff's Artificial Kidney

Pieces at display include: a gigantic microtome, the first heart-lung machine (prototype) by inventor Jacob Jongbloed (1948), the first kidney dialysis machine by inventor Willem Johan Kolff, X-ray equipment, an iron lung, galvanometer tools, a bow and arrow used to draw ultra thin quartz fibres (by shooting away a droplet of molten quartz), the original golden Nobel Prize medal from Willem Einthoven (for developing the first practical electrocardiogram in 1903)

23 Astronomy: Celestial Accounting[32]

24 Microscopy: New ways[33]

Room 24: Microscopy, new ways

The room houses two electron microscopes (1947–1950) and related equipment (gold vaporiser, lens, object holders, a cooler, a goniometer), a collection of compound and specimen microscopes (some binocular) (1840–1870) plus accompanying microscope lamps and a tool box, a binocular polarisation microscope (1850), several microtomes (a.o. a cryomicrotome) and ultramicrotomes, a phase contrast microscope, a fluorescence microscope (plus several epi-illuminators, to exploit the difference between emitted and reflected light frequencies that some substances display), compound microscope with transformer in camera installation, a photomicroscope (photo camera with inverted microscope), a boxed collection of microscopic specimens (1870).

The museum also contains a fountain pen that was gifted in 1921 by Albert Einstein to Paul Ehrenfest, then the director of the physics faculty of Leiden University. This pen was gifted to Ehrenfest as a thank you gift for the friendship that he and Einstein shared, and because Ehrenfest created a professorship for Einstein. Einstein was a 'bijzonder hoogleraar', meaning a professor by special appointment made possible by the Leids Universiteits Fonds from 1920 up to officially 1946. In the first half of his appointment he visited Leiden regularly to give lectures.[34]

Leiden Museum Boerhaave Einstein Pen

There is a note with the pen on which is written (In German): 'This pen has been used for years by Einstein, especially during the time between 1912 and 1921 – So that all his designs and calculations relating to general relativity and gravity from this time period are written with this pen. He gave this pen to me in 1921. P. Ehrenfest. '[35]