Black Lagoon

Manga author Rei Hiroe said that when he was approached by the publisher Shogakukan to work for a manga project, he offered them different prototype stories that he had planned, including Black Lagoon, which was finally selected.[4][5] Hiroe wanted to create an action and crime oriented series.[4] For the basis of the story, he was inspired by watching news about piracy cases in the South China Sea in the 1990s, which he thought that fitted perfectly with his desire to make a "dynamic and original" series, adding that pirates "know no borders and are truly free," and that it seemed interesting to work on the subject.[4][6] Hiroe also commented that at first, the original idea was about medieval pirates, but he changed his mind and made the story about modern day pirates instead.[5]

Hiroe stated that he has been influenced by writers James Ellroy, whom he called his favorite novelist, and Stephen King, stating that he learned how to create the atmosphere of Black Lagoon based on his works.[7] Hiroe also called Mikiya Mochizuki's manga series Wild 7 "almost like the DNA of that sort of action genre," and mentioned influence from Akihiro Ito (Geobreeders author) and Kenichi Sonoda (Gunsmith Cats author).[8][5] Apart from manga, Hiroe stated that, from a "purely graphic point of view", he was influenced by the Franco-Belgian comic series Soda, and commented that he liked the atmosphere and storytelling of Blacksad by Spanish authors Juan Díaz Canales and Juanjo Guarnido.[9]

Hiroe is particularly influenced by films, mentioning influence from directors John Woo, Quentin Tarantino, Robert Rodriguez, and by the 1990s Hollywood films and triad Hong Kong films from the 1980s and 1990s.[6] Hiroe mentioned that Pulp Fiction and other films from Tarantino inspired him to balance the action and comedy in Black Lagoon.[6]

Hiroe said that although the series is much influenced by American works, he was not worried about the references being lost on the Japanese readers, stating that it can be sensed when the American culture is coming from a Japanese person, so "there's a style in it that can be sensed by Japanese readers," adding that conversely, if people in America read it, there is "more potential for awkwardness and weird parts."[5]

Regarding accuracy, Hiroe declared that he had not done too much research on modern day pirates, commenting that even on the internet is difficult to find good information on them, also stating that the crew of Black Lagoon is "a bit different from what we are used to seeing." Regarding the weapons, on the other hand, Hiroe said that he was a big fan and that he had a personal collection, being well-versed on the subject, adding that he bought encyclopedias in order to benefit from more precise details.[4] Due to the fact that the series is a "period piece of sorts," which features mafia and military themes, Hiroe commented that he did a lot of research for those subjects, watching documentaries and reading books.[6] Hiroe also stated that he would sometimes find some interesting facts that he would like to incorporate into his work, and that he tried not to go towards current events, but use past information for the entertainment value.[10] He said that the setting is loosely based on reality and that it would not be interesting if it were unrealistic, adding that he at least wants to maintain a semblance of realism, emphasizing, however, that the sense of realism is "very subjective," adding that a character like Roberta, a "Terminator-like maid," would not work in a novel, but she will in a comic; "she has to be over-the-top because it's a comic."[11]

Hiroe commented that while film is an "active" medium, manga is like having "still frames", so for the action scenes he needs to find the "best moments in time to convey meaning and movement," adding that one of the advantages of manga is that "you're not anchored to reality", commenting that he is able to make guns bigger than their physical counterparts and make explosions "far larger and more gaudy."[8] He said that from the start, it was agreed with the publisher that the series would include action and violence, so there were never issues regarding that, adding that he would "go towards even more sensationalism if it is necessary for the plot," but Hiroe added as well that he does not want it to be confined to its violence either.[9]

Hiroe said that from the start, he wanted a story "without nationalities, without specific identities," adding that "we are still in a criminal context," and by mixing different cultures in the story, he wanted to see the reaction of each culture to this "thorny subject," without making any judgment.[4] Referring to whether the manga could be perceived as a political statement, due to actual piracy issues in Africa and elsewhere, and since the manga is about pirates, Hiroe said that "as long as there are various people's opinions being voiced, it won't cease to be political," emphasizing, however, that there is not just one possible way of reading it, such as "America is bad" or "Russia is bad," and that the series is written to be perceived from different perspectives.[5] Although Hiroe noted that his series is entertainment, he commented that he would like to make people who read it feel the backdrops, like characters with poverty backgrounds or living in the world with international conflicts.[6] Hiroe also said that it is fine if the readers only enjoy the series purely for the action, but commented: "[t]here are a few things hidden in there, so I'd be the happiest if on a second or third read-through, those things become apparent."[5]

Hiroe said that generally it takes him about a month to produce one chapter, adding that there are a lot of details and he puts a lot of work into it. Regarding the process, Hiroe explained that he has the initial thought, then the publisher would give him input as to "what’s good and what’s bad and what’s good for the audience, what they might like." They discuss it and if something might not work so well, he redoes the plot line. Hiroe commented that while there are a lot of manga artists who do not have good relationship with the publishing company, and they have to do what they are ordered, in his case, it is more mutual and he can do more of what he likes at the same time.[10] Hiroe's editor, Akinobu Natsume, commented that at first, the story was very simple, but that after having introduced more characters, they had to think about their respective stories, as well as the relationships that unite them, commenting that this was in line with the complexity that Hiroe wanted, supporting him and refraining him when the story got too difficult to follow. Hiroe declared that there are no real rules for the variable duration of the story arcs, and that he tries above all to think about the appropriate length to stage all that he had to say on the initial idea, adding that the rest of the story should stay in that direction.[9] He said that since the series is set in the 20th century, he counts on the occasion of the transition to the 21st century to create a "powerful event" that will alter its plot, commenting that if he manages to transcribe his ideas properly, "we will reach the culmination of my story."[4] He affirmed that they had in mind the end of the story and that he knew the conclusion that he needs to make for each character, but that it must be staged in the right direction and in a consistent way.[9]

Hiroe said that to keep the manga interesting and exciting for both himself and the readers, he "takes a rest right in the middle. Just stop, take a step back, and relax for a bit so I’m not stuck in the grind," commenting that manga artists who write weekly manga or other long-running series, like those published in Weekly Shōnen Jump, "don’t have that luxury," and that working on a monthly series gives him the opportunity to work on a different project "to keep things from getting stale."[8] The manga has been on hiatus several times; it went for an almost three-year hiatus from May 19, 2010,[12] to January 19, 2013;[13][14][15] it went on a three-year hiatus again from January 18, 2014,[16] to May 19, 2017;[17] it went on hiatus for a year from August 18, 2018,[18][19] to September 19, 2019.[20][21] Hiroe has attributed these pauses to his depression,[22] adding that he is doing his best to move forward with the series without rushing too much.[23]

Referring to the creation of the characters, Hiroe stated that he goes backward, imagining how they would think and how they lived, commenting that the process in itself "can be fun." He commented: "I sometimes first decide that this guy is from here, he's ethnically this way, he belongs to this kind of group, then look into historical facts and events. From there I try to tie all threads of those elements together, and when they can be tied organically together it's like, "Yay this is fun!" Hiroe said that the characters are not necessarily based on anyone in particular, but that from watching films in particular, he would arrange things which would "kind of shape the character."[6] He commented, however, that Mr. Chang, the leader of the triads, has a resemblance to Hong Kong actor Chow Yun-fat.[6][9] Hiroe claimed that the fact that in the story are women who take up arms, while men have more sedate roles, was not a well-considered choice at the start, but that it naturally "imposed itself over the course of the adventure," noting that this is one of its strong points, expressing happiness to have met women who have enjoyed the series.[9]

Regarding Revy, Hiroe said that he had no particular model in mind, but commented that after watching Robert Rodriguez's film From Dusk till Dawn, he noticed the "imposing tattoo" on the shoulder of George Clooney's character and thought that it "would be nice" to do such a tattoo on a female body.[4][9] For her personality, Hiroe first wanted that her dominant character trait was impulsiveness. To accentuate it, he decided to make her grow up in a criminal environment, so that her values were totally different from "ordinary mortals."[4] Hiroe commented that she is a strong woman, good at shooting guns and fighting, but that she is not motivated by justice and that she is just an "ordinary criminal," adding that he placed her in the story because "it is rare to see such a female" and her presence would make it more interesting.[7] Hiroe commented that the reason behind her Chinese-American heritage was because he wanted to make her a minority, adding that she does not look Caucasoid but rather Mongoloid, and that it would make it easier for Japanese readers to identify with her; "easier than if it was a white woman going ballistic." He added that it is interesting when there is a gap between the way she looks and her way of thinking, commenting that people like that "aren't really tied down to a region, like they're rootless wanderers," and that "obviously, she probably faces discrimination in her life," adding that taking all that into account, he thought the character would "stand out more."[11] Hiroe said that Revy is the character that requires most work from a graphic point of view, expressing that he had drawn her countless of times in very different situations and emotions, and that he must be careful to not go in another direction over time, so as to not distort the initial character.[9]

According to Hiroe, at the beginning of the project there were only "bad men," and after discussing it with the editorial staff, they decided to introduce a character who would share the same point of view as the readers, so he added Rock as a businessman to the story. Hiroe commented that there was no particular reason why he is Japanese. Hiroe commented that after Rock was added to the story, "he came to life and started to build his own interesting character."[7] Sunao Katabuchi, director of the anime adaptation, said that Rock is the character that he empathized more with,[24] commenting that while "[w]e live our daily lives as if we are closed inside of a box-like world," Rock "breaks out of such a box," adding that breaking out is not the end for him; "[he senses that] there may yet another box that maybe be broken out of," and he is "pointed in the right direction. The fight is not with the container which encloses the world, but with one's self."[25]

Hiroe stated that he did not dislike "cute girls" or moe characters, but that the inclusion of these characters should depend on whether there is a relevancy to use them in what he is creating. He stated that when creating the Colombian maid and former FARC guerrilla, Roberta, her design was slightly influenced from the growing interest in maids at the time, but that he dressed her as such because he imagined that an affluent family in South America "would dress maids that way," adding that her design was not a take on "moe culture" as much as it made contextual sense.[8] Katabuchi commented that the anime staff referred to the scene where Roberta's umbrella opens up and spins around the body and fires as "The Evil Mary Poppins", adding that Hiroe also had the idea to use the character as a kind of "Death Poppins."[24] Hiroe commented that at the beginning, Roberta had "a very set character background," but he wanted to see if he could go past that and break it down to see what he could do with it, which is why the character reappeared in the story.[10]

Originally, he had not planned the arc of the Hansel and Gretel twins to be more dark and serious than the rest of the series. He commented that at first he thought that it would be great if there were cute "really loopy" twin kids wielding giant guns, but that he started doing some research, reading about the history of Romania (their home country) and the Cold War/Soviet era, commenting: "[t]hings were really bad back then, so the story became much darker based on what I'd learned. It was…not exactly the happiest place on Earth."[8]

Written and illustrated by Rei Hiroe, the pilot chapter of Black Lagoon was published in Shogakukan's seinen manga magazine Monthly Sunday Gene-X on March 19, 2001.[lower-alpha 2] It started its serialization in the same magazine on April 19, 2002.[lower-alpha 3] Shogakukan has collected its chapters into individual tankōbon volumes. The first volume was released on December 12, 2002.[31] As of August 19, 2021, twelve volumes have been released.[32]

In North America, the manga is licensed for English release by Viz Media.[33] The first volume was released on August 12, 2008.[34] As of January 21, 2020, eleven volumes have been released.[35] Due to copyright-related reasons, the Viz Media edition censors the references to song lyrics and brand names, including the brands of the guns.[36] On May 9, 2023, Viz Media launched their Viz Manga digital manga service, with the series' chapters receiving simultaneous English publication in North America as they are released in Japan.[37][38]

A spin-off about Sawyer, titled Black Lagoon: Sōjiya Sawyer – Kaitai! Gore Gore Musume (BLACK LAGOON 掃除屋ソーヤー 解体！ゴアゴア娘, lit. "Black Lagoon: Sawyer the Cleaner - Dismemberment! Gore Gore Girl"), illustrated by Tatsuhiko Ida, began in Monthly Sunday Gene-X on September 19, 2019.[39][21] The first tankōbon volume was released on July 17, 2020.[40] As of March 17, 2023, six volumes have been released.[41]

A spin-off about Eda, titled Black Lagoon Eda -Initial Stage-, illustrated by Hajime Yamamura, started in Monthly Sunday Gene-X on April 19, 2022.[42][43] The first tankōbon volume was released on September 16, 2022.[44] As of March 17, 2023, two volumes have been released.[45]

The manga was adapted into an anime television series animated by Madhouse, which was broadcast for twelve episodes on Chiba TV (and on other fifteen terrestrial stations) from April 9 to June 25, 2006.[46][47]

A second season, Black Lagoon: The Second Barrage, consisting of twelve more episodes, ran for the first time on Sendai Television from October 3 to December 19, 2006.[48][49]

A five-episode original video animation (OVA), titled Black Lagoon: Roberta's Blood Trail, which covered the "El Baile de la Muerte" arc of the manga, was released from July 17, 2010, to June 22, 2011.[50][51][52]

Two light novels written by Gen Urobuchi, with illustrations by Hiroe, have been released under Shogakukan's Gagaga Bunko imprint. Black Lagoon: Sheitane Birdy (ブラック・ラグーン シェイターネ・バーディ, Burakku Ragūn Sheitāne Bādi) was published on July 18, 2008.[53][54] Black Lagoon 2: Ballad of the Sinful Wizard (ブラック・ラグーン　2　罪深き魔術師の哀歌, Burakku Ragūn Tsu Tsumibukaki Uizādo no Barādo) was published on January 18, 2011.[55]

An illustration book, titled Onslaught: Black Lagoon Illustrations, was released by Shogakukan on August 19, 2021. It includes the original pilot chapter illustrated pages, key visuals of the 20th anniversary exhibition and unpublished illustrations. The limited edition included a water gun replica of Revy's Beretta 92 FS "Sword Cutlass Special", five autographed illustrations and six bookmarks.[56]

A browser game developed by CTW for the G123 online platform, titled Black Lagoon: Heaven's Shot, was announced on September 19, 2023.[57]