Back Roads (2018 film)

An adaptation of Tawni O'Dell's 1999 novel had been a long-gestating project for Adrian Lyne and was set to be his return to directing after a twenty-year absence.[1][2] In 2011, Andrew Garfield, Jennifer Garner, and Marcia Gay Harden were reportedly attached to star, with Lyne directing from a script he co-wrote with O'Dell.[3]

In 2012, Garfield dropped out of the project due to scheduling conflicts with The Amazing Spider-Man.[1] The project was later abandoned after financing fell through.[4] Alex Pettyfer, who originally read for the role of Harley back in 2008, secured the rights to the novel with his production company Upturn Productions.[5][4] Pettyfer initially had plans of only producing and acting in the film, but after two unnamed directors passed on the film due to scheduling conflicts, Pettyfer stepped in to direct himself.[4][6] Lyne remained as an executive producer.[2]

When he was still attached as director, Lyne had envisioned the film as a big-budgeted studio effort that leaned more into the eroticized elements the director is known for.[4][5] Pettyfer left out the more sexual elements in Lyne's original script and went in a darker direction that focused more on the "exploration of family drama" and trauma.[7][5]

Filming took place in the town of St. Francisville in the Baton Rouge area of Louisiana,[2] beginning in March 2017 and taking 19 days.[4][2]

Pettyfer chose to set the film in the 1990s, saying, "There’s only a pay phone, and you begin feeling more and more closed in. In the beginning, there are opening shots of landscape, but then it becomes darker and more confined."[7]

On review aggregate website Rotten Tomatoes, 53% of the 30 reviews compiled are positive, with an average rating of 5.6/10. The website's critics consensus reads: "Uneven yet ultimately intriguing, Back Roads serves as a memorable calling card for star and debuting director Alex Pettyfer's talent behind the camera."[12]

Monica Castillo of RogerEbert.com said, "While the dark family dynamics may bring to mind Winter’s Bone or this summer’s much-discussed miniseries, Sharp Objects," the characters and affair subplot are underdeveloped.[13] Owen Gleiberman of Variety wrote Pettyfer "does a skillful job of establishing an atmosphere of small-town service-economy desolation" and Lewis is "superb", but concluded that the film "is more audacious than it is convincing".[14] Leslie Felperin of The Guardian opined, "The performances are sturdy, even so, and the whole has a sombre determination that makes it likable and rather camp."[11]

Dan Callahan of TheWrap was more positive, praising Pettyfer's direction as "an accomplished debut".[15] Callahan added the film "shows how interested he seems to be in the scarier byways of life, which seemed clear in his performance last year in The Strange Ones, a very disturbing and neglected movie about child abuse that seems now like a companion piece to Back Roads, a film that stares unflinchingly at some of the rougher human experiences."[15][16]

At the Rhode Island International Film Festival, Back Roads won the First Prize award for Best Feature.[17]