Contemporary romance

This subgenre includes pregnancy, babies or children. One obstacle for making plots in this sense is to adapt to an ongoing increase in women who independently raise their children without any partner.[6]

Nobody's Baby But Mine by Susan Elizabeth Phillips is an example of this subgenre.

Medical romance novels may generally be regarded as a subcategory of contemporary romance, as well as of medical fiction, but has its own type of setting and characters, although it yet can be as multifarious as any other subgenre. The setting usually involves a medical workplace, often the emergency department, but also airborne medicine, family medicine and obstetrics and gynaecology.

Regarding characters, the central male protagonists (heroes) are almost always medical doctors, mostly emergency physicians, primary care physicians or surgeons, and sometimes obstetricians/neonatologists or pediatricians. The female protagonists (heroines) are mostly medical doctors but also often nurses, working in primary care, obstetrics/neonatology, training or residency programs, surgery, anesthesiology or emergency medicine. The doctors are almost always ingenious, the men usually tallish, husky and chiseled, while nurses are strong but caring.

Patients bring a lot of potential for subplots. They mostly get completely recovered, regardless of the severity of their injury or disease. Almost no plot, however, includes a doctor-patient or nurse-patient relationship, since it is a code for professional health care workers to avoid intimate relationships with patients, as a part of a professional doctor-patient relationship.[7]

The plot often includes pregnancy[6] and children.

This subgenre[8] is an important part of literature and has been prevalent since the mid 1700s . The lesbian romance genre is often a subgenre of broader genres such as BDSM romance, paranormal romance, coming-of-age romance, fantasy romance, and inspirational romance.