Komm, süßer Tod, komm selge Ruh

"Komm, süßer Tod, komm selge Ruh" (Come, sweet death, come, blessed rest) is a song for solo voice and basso continuo from the 69 Sacred Songs and Arias that Johann Sebastian Bach contributed to Musicalisches Gesangbuch by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736.[1] The text is by an anonymous author.[2] Bach, by means of melody and harmony, expresses the desire for death and heaven. It is among his most popular works and has been adapted and transformed by several composers, such as Max Reger, Leopold Stokowski,[3] Benjamin Britten, Knut Nystedt, and for the Wanamaker Organ, by Virgil Fox.[4] It forms the thematic material for the final movement of the second symphony of Ernst von Dohnányi. Cliff Burton based the introduction of the song "Damage, Inc." (a series of reversed bass chords) on its chorale prelude.[5]

This article is about a composition by Johann Sebastian Bach. For the song from The End of Evangelion performed by Arianne Cleopatra Schreiber, see Music of Neon Genesis Evangelion.
Komm, süßer Tod, first edition 1736

References
  1. Albert Schweitzer (1911). J.S. Bach, Volume 2. Ernest Newman. Breitkopf & Härtel.
  2. Komm süßer Tod / Text and Translation of Chorale bach-cantatas.com
  3. "Bach Performance". Victoria Advocate. June 28, 1999. Retrieved May 28, 2010.
  4. "Organist Virgil Fox Master of Instrument". Boca Raton News. January 26, 1972. Retrieved May 29, 2010.
  5. Matt Taylor, Metallica: Back to the Front: A Fully Authorized Visual History of the Master of Puppets Album and Tour, Simon and Schuster, 2016, p.103.


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