Armenian architecture
Armenian architecture comprises architectural works with an aesthetic or historical connection to the Armenian people. It is difficult to situate this architectural style within precise geographical or chronological limits,[1] but many of its monuments were created in the regions of historical Armenia, the Armenian Highlands.[2] The greatest achievement of Armenian architecture is generally agreed to be its medieval churches and seventh century churches, though there are different opinions precisely in which respects.
Common characteristics of Armenian architecture
Medieval Armenian architecture, and Armenian churches in particular, have several distinctive features, which some believe to be the first national style of a church building.[3]
Common characteristics include:
- Pointed domes, reminiscent of the volcanic cone of Greater Ararat. The conical or semiconical radially segmented dome or cupola is mounted above vaulted ceilings on a cylindrical drum (usually polygonal on the outside, most often octagonal)[4]
- The vertical emphasis of the whole structure, with the height often exceeding the length of a church[4]
- Reinforcement of the verticality with tall, narrow windows[4]
- Stone vaulted ceilings
- Composed almost entirely of stone, usually volcanic tuff or basalt.
- A composite roof composed of finely-cut tuff shingles
- Frescoes and carvings, if present, are usually ornate and include swirling intertwining grapevines and foliage.
- Heavy use of tall structural arches, both for supporting the cupola as part of the drum, the vaulted ceiling, and the vertical walls.
- Roofs intersecting to support the dome, both in basilicas and centrally-planned churches.
- Sculptural decoration of external walls, including figures.
Classification of Armenian churches
Within the bounds of the aforementioned common characteristics, individual churches display considerable variation which may reflect time, place, and the creativity of its designer. Toros Toramanian distinguished the following classical styles while studying these variations in the early 20th century:[4]
Style | Armenian nomenclature | Example |
---|---|---|
Basilica | Bazilik (Բազիլիկ) | Ererouk |
Domed basilica | Gmbetakir bazilik (Գմբեթակիր բազիլիկ) | Tekor Basilica |
Cruciform | Etchmiadznatip (Էջմիածնատիպ; literally "Etchmiadzin-type") | Etchmiadzin Cathedral |
Vertical-emphasis rectangular | Oughghagitz karankiun (Ուղղագիծ քառանկյուն) | Saint Gayane Church |
Radial | Sharavighayin (Շառավիղային) | Saint Hripsime |
Circular | Zvartnotsatip (Զվարթնոցատիպ; literally "Zvartnots-type") | Zvartnots |
Construction
Armenian architecture, as it originates in an earthquake-prone region, tends to be built with this hazard in mind. Armenian buildings tend to be rather low-slung and thick-walled in design. Armenia has abundant resources of stone, and relatively few forests, so stone was nearly always used throughout for large buildings. Small buildings and most residential buildings were normally constructed of lighter materials, and hardly any early examples survive, as at the abandoned medieval capital of Ani.
The stone used in buildings is typically quarried all at the same location, in order to give the structure a uniform color. In cases where different color stone are used, they are often intentionally contrasted in a striped or checkerboard pattern.[3] Powder made out of ground stone of the same type was often applied along the joints of the tuff slabs to give buildings a seamless look.[3] Unlike the Romans or Syrians who were building at the same time, Armenians never used wood or brick when building large structures.
Armenian architecture employs a form of concrete[3] to produce sturdy buildings,. It is a mixture of lime mortar, broken tuff, and rocks around which forms a core against which thin slabs of tuff are arranged in brickwork fashion. As the wet mortar mixture dries it forms a strong concrete-like mass sealed together with the tuff around it and, due to tuff's properties, it becomes harder with time. Initially, almost no core was used in the construction of churches, stone blocks were simply sealed together, but as architects saw how those with mortar cores withstood tremors, the size of the core expanded. Frescos of marble or another stone were often affixed to the side of these buildings, usually at a later date.
History of Armenian architecture
The gradual development of Armenian architecture.
Pre-Christian Armenia
During the third millennium B.C, prehistoric Armenian architecture was already distinctive. The most common feature was its groundwork, which incorporated many geometrical shapes, ultimately forming a cell shape. An example of such architecture can be found in Kültəpə, near Nakhchivan. These buildings were approximately 6–7 metres wide and about 5 metres high.[5]
Urban architectural traditions, and other forms of art in the years before Christ continued to develop and later were influenced by Greco-Roman art.[6] Urartian architecture is known for its use of intricately cut rocks, used as foundations for mud brick buildings, usually constructed in a compact manner (such as in Erebuni).
Urartian temples had massive stone walls at lower levels and a relatively small interior space, usually square, and rose high; they were generally placed at the highest point of a site. Higher levels were in mud brick, which has not survived, and it is not fully clear how appeared. The late Temple of Garni of the 1st century AD, in a fully Hellenistic style, is the only pagan monument left in any sort of complete state in Armenia, as many others were destroyed or converted to Christian places of worship under Tiridates III of Armenia.[7] Garni includes local elements of sacred numerology and geometry. The temple has a column to inter column ratio of 1/3 (1 is the primary number of the universe and 3 is the holiest of all numbers as it represents the Greco-Roman triad Jupiter, Juno and Minerva). Aside from being aesthetically beautiful, Garni's design can be seen as being a reaffirmation of the universal laws that governed man's destiny. The angles, number of columns, and dimensions were created with a careful eye; Armenian pagans wanted to appease the gods and protect humanity from their wrath. This sacred geometry is evident in the entire temple. To the people who created it, it was the perfect embodiment of their communion with the universe. Note that although sacred geometry was mostly used in religious buildings, secular buildings adopted some aspects of it.[8]
Pre-cristian and cristian structures
- Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
- Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
- Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
- Tombstone in the form of a ram in the Armenian cemetery of Jugha (Julfa)
- Stone sheep sculpture in Sardarapat Museum
10 century B.C.-1 century B.C.
- The Van Citadel, IX century BC.
- Erebuni Fortress, 782 BC.
- Odzaberd, 735–713 BC.
- Teishebaini, Between 650 and 600 BC.
- Argishtikhinili, VIII and VI centuries BC.
- Artaxata, 176 BC.
- Tigranakert of Artsakh, II-I centurys BC.
- Mount Nemrut, I century BC.
Christian Armenia
Christianity's institution as Armenia's official religion in 301 allowed new developments in Armenian architecture, which nevertheless preserved older traditions.[6] In fact it would be almost impossible to find any religion that rose completely on its own without borrowing some traditions from the past. Exploring Armenian churches is critical to our understanding of Medieval Armenia. Beyond that, the Armenian churches describe us the general landscape of the Christian East at a time when eyewitness accounts were exceedingly rare. In their messages of authenticity and legitimacy, the churches shaped and preserved public memory, negotiating among diverse linguistic, religious, political, and ethnic groups.[9]
The first Armenian churches were built on the orders of St. Gregory the Illuminator, and were often built on top of pagan temples, and imitated some aspects of Armenian pre-Christian architecture.[8]
gallery IV-VII
- Etchmiadzin cathedral, 303 year.
- Aghperig Monastery, 300 year.
- Mesrop Mashtots Monastery, Nasirvaz, 456 year.
- Tekor Basilica, end of V century.
- Bagavan church, 613—619 year.
- Saint Hripsime Church, 618 year.
- Saint Gayane Church, 630 year.
- Cathedral of Mren, 631—639 years.
- Ruins of Zvartnots Cathedral, 641—652 years.
- Varagavank, 653 year.
- Bana cathedral, 653-658 years.
- Gharghavank, 661—685 years.
VIII-XIV
- Sevanavank, 874 year.
- Собор Holy Saviour's monastery of Yerazgavors, end of IX century.
- Tatev Monastery, 895—906 years.
- Vanevan Monastery, 903 year.
- Vahanavank, 911 year.
- Cathedral of the Holy Cross, Aghtamar, 915-921 years.
- Cathedral of Kars 930-967 years.
- Gndevank, 931—936 years.
- Sanahin Monastery, 957—966 years.
- Haghpat Monastery, 976—991 years.
- Cathedral of Ani, 989-1001 years.
- Vorotnavank, 1000 year.
- King Gagik's church of St Gregory, Ani, 1001-1020 years.
- Vahramashen Church, 1026 year.
- The Church of the Holy Apostles, Ani, 1031 year.
- Kecharis Monastery, 1033 year.
- The church of the Holy Redeemer, Ani, 1035 year.
- Bgheno-Noravank, 1062 year.
- Meghri Fortress, 1083 year.
- Goshavank, 1191—1196 years.
- Castle of Kars, 1153 year.
- Kobayr monastery, 1171 year.
- Lori Fortress, 1177 year.
- Tejharuyk Monastery, 1196-1199 years.
- Harichavank Monastery, 1201 year.
- Hogevank Monastery, 1205 year.
- Geghard, 1215 year.
- The church of St Gregory of Tigran Honents, Ani, 1215 year.
- Hovhannavank, 1216 year.
- Saghmosavank, 1215-1221 years.
- Gtichavank, 1241-1246 years.
- Matosavank,1247 year.
- Cathedral of Arapgir, 1249 year.
- Saint George's Church, 1251 year or earlier.
- Katoghike Church, Yerevan, 1264 year.
- Saint Marianeh Church, Ashtarak, 1271 year.
- Holy Mother of God Church, Yeghvard, 1301 year.
- Lim Island, 1305 year.
- Saint Thaddeus Monastery, 1319—1329 years.
- Areni Church, 1321 year.
- Spitakavor Monastery, 1321-1330 years.
- Orbelian's Caravanserai, 1332 year.
- Noravank, 1339 year.
- St. Astvatsatsin Monastery (Channab), 1349 year.
- Ganchvor monastery, 1364 year.
- Armenian Cathedral of Lviv, 1363-1370 years.
XV-XVIII
- Saint Gregory the Illuminator Church of Galata, 1391-1436.
- Forty Martyrs Cathedral, 1491 year.
- Norashen Church, 1507 year.
- Chapel of Chupan, 1518 year.
- St. Georg Church, 1611 year.
- Bedkhem Church, 1627 year.
- St. Nicholas Church, New Julfa, 1630 year.
- Vank Cathedral, 1655-1664 years.
- Khor Virap, 1661 year.
- Saint Gevork Monastery of Mughni, 1661—1669.
- Saint Hakob Church of Kanaker, 1679 year.
- Red Bridge, 1679 year.
- Gethsemane Chapel, 1690s.
- Yerits Mankants Monastery, 1691 year.
- Surp Astvatsatsin Church, 1338-1693 years.
- Shoghakat Church, 1694 year.
- Zoravor Surp Astvatsatsin Church, 1694 year.
- The Holy Mother of God Church, 1695 year.
- Saint Karapet Church, 1705 year.
- Surb Nshan Church, 1703-1711 years.
- Saint John the Baptist Church, Yerevan, 1710 year.
- St. Mary's Church, 1718 year.
- Jigrashen Avetyats Church, 1624 or 1729 year.
- Saint Gevorg of Mughni Church, XIII century-1756 year.
- Church of Saint George, 1753 year.
- Church of the Red Gospel, 1775 year.
- Saint Catherine's Armenian Church, 1771-1776 years.
- Holy Resurrection Church, 1781 year.
- Saint Mary Church of Tabriz, 1785 year.
- Kamoyants Saint Gevork Church, 1727 or 1788 year.
- Church of the Ascension, 1790 year.
- Holy Cross Church, 1786-1792 years.
- Church of St. Gevorg (Sighnaghi), 1793 year.
- St. George's Church, 1795 year.
- Saint George Church of Tehran, 1795 year.
- Surp Gevork Church, Noragavit, XVIII century.
XIX-XX
- Nor Ejmiatsin Church, 1806-1809
- Saint Sarkis Cathedral, 1842
- Armenian Church, Baku, 1863-1869
- Lower Bethlehemi Church, 1868-1870
- Church of the Holy All-Savior, 1860-1871
- Holy Saviour's Church, 1858-1872
- Saint Mesrop Mashtots Church, 443-1879
- St. Karapet's Church, 1881
- Cathedral of the Holy Mother of God, 1873-1884
- Church of St. George of Samatya, 1866-1887
- Ghazanchetsots Cathedral, 1868-1887
- St. Astvatsatsin Church, 1902-1905
- Church of Surp Hakob, 1967-1969
- St. Sarkis Church, 1998
Khachkar
- Khachkars in Talin Cathedral, IX century
- Mughni Church, 986Khachkar
- Goris, 991
- Vagharshapat, 996
- Haghpat Monastery, 1023
- 1056
- Khachkar of Queen Sophie, 1081
- Vagarshapat, 1148
- Sanahin, 1184
- Aprank, 1194
- 1210
- Haghpat Monastery 1211
- 1211
- Geghard Monastery, 1213
- Sanahin, 1215
- Haghpat Monastery, 1220
- Vagharshapat, 1233
- 1251
- Sanahin, 1262
- Geghard Monastery, 1263
- 1271
- 1271
- Haghpat Monastery, 1273
- Etchmiadzin Cathedral, 1279
- Geghard Monastery, 1283
- Dadivank, 1283
- 1285
- Goshavank Khachkar, carved in 1291 by the artist Poghos
- 1298
- Armenian-inscribed double khachkars of the Memorial Bell-Tower of the Dadivank Monastery
- A 15th century khachkar at the Armenian Cathedral of Saint James, Jerusalem
Periods in Armenian architecture
Classical and Medieval Armenian architecture is divided into four separate periods.[3]
The formative period
The first Armenian churches were built between the 4th and 7th century, beginning when Armenia converted to Christianity, and ending with the Arab invasion of Armenia. The early churches were mostly simple basilicas, but some with side apses. By the 5th century the typical cupola cone in the center had become widely used. By the 7th century, centrally-planned churches had been built and a more complicated niched buttress and radiating Hrip'simé style had formed. By the time of the Arab invasion, most of what we now know as classical Armenian architecture had formed.[10]
Bagratid revival
From the 9th to 11th century, Armenian architecture underwent a revival under the patronage of the Bagratid dynasty with a great deal of building done in the area of Lake Van, this included both traditional styles and new innovations. Ornately carved Armenian khachkars were developed during this time.[7] Many new cities and churches were built during this time, including a new capital at Lake Van and a new Cathedral on Akdamar Island to match. The Cathedral of Ani was also completed during this dynasty. It was during this time that the first major monasteries, such as Haghpat and Haritchavank were built. This period was ended by the Seljuk invasion.
Monasteries flourish
From the 12th to 14th century under the Zakarid dynasty saw an explosion in the number of monasteries built, including Saghmosavank Monastery, the Akhtala monastery, Kaymaklı Monastery, Kecharis Monastery and Makaravank Monastery. Monasteries were institutes of learning, and much of medieval Armenian literature was written in this time period. The invasion of Timurlane and the destruction of Cilician Armenia ended architectural progression from another 250 years.
Seventeenth century
The last great period in classic Armenian construction was under the Iranian Safavid Shahs, under which a number of new churches were built, usually at existing holy sites such as Etchmiadzin as well as in diaspora communities like New Julfa.[3]
Nineteenth century
Armenian architecture experienced a huge stage of development during the 19th century, when the Russians entered Eastern Armenia. A number of architectural masterpieces were built in the Kumayri historic district of Alexandropol and Yerevan, as well in Kars, which is now a part of the Republic of Turkey.
The Armenian buildings of that time were mainly made of black tuff, therefore those buildings were mainly of black color.
Gallery of Armenian architecture of the 19th century - 20 century
Modern times
One of the most prolific architects of Armenian architectural monuments in the 20th century was Baghdasar Arzoumanian. Based in Yerevan, Armenia, he was the author of a great number of civil and church buildings along with other designs. The legendary architects of the 20th century were Alexander Tamanyan, Rafael Israyelyan, G. Kochar, E. Tigranyan, S. Safaryan, etc. Today the masters of Armenian architecture are S.Gurzadyan, S. Kalashyan, L. Khristaforyan, R. Asratyan etc.
Devastation of Armenian architecture
As a result of Anti-Armenianism, relics of Armenia's past such as churches, cemeteries and khachkars in neighboring countries have been subject to devastation. In certain cases such as in Turkey or Azerbaijan, this had been as a result of national campaigns to eradicate traces of the Armenian people to thwart any potential claims by the Armenian state.
The largest collection in the world was formerly to be found at the ruins of Old Jugha in Nakhichevan (today's Azerbaijan). Reports (see RFE/RL) and photographs from observers in Iranian territory emerged at the end of 2005 showing Azeri soldiers making deliberate attempts to destroy the gravestones. More recent photographs have revealed that the entire graveyard has been obliterated and a military training ground has been constructed on the site.[11]
Armenian architecture in the diaspora
The tumultuous past of Armenia over the last millennium has resulted in the formation of an extensive Armenian Diaspora in various corners of the globe. Armenian communities seeking to keep the traditions of their homeland, influenced the architectural vernacular of Armenian Quarters in cities such as Zamość and Lviv. This influence is most evident in the sacred architecture of churches built by the Armenian community, where designs based on historic landmarks such as the cathedrals of Ani, Zvartnots and Etchmiadzin have been used as inspirational templates to construct these structures in their new surroundings. This tradition still continues into the present day as Armenian immigration has shifted away from the traditional areas of outmigration in Europe and the Middle East into the Americas and Australia.
Khachkars have also become additional signifiers of Armenian identity and have been erected in recent year in cities such as Wrocław, Kraków, Elbląg in Poland, Novi Sad in Serbia, Beirut in Lebanon as well as in Dearborn, Michigan.
- Church of the Nativity, 325-565
20th century secular buildings in Armenia
- National Assembly (1918).
- Yerevan State University in 1968, (1919).
- Yerevan State Medical University in 1960s, (1920).
- Yerevan opera house by A. Tamanyan in 1951, (1926–1939).
- Unevermag of Yerevan (1935).
- Moscow Cinema (1936).
- The Victory Bridge, Yerevan on Hrazdan River (1945).
- Pak Suka in 1968, (1952).
- Matenadaran (1920-1959).
- Tsitsernakaberd (1967).
- Erebuni Museum (1968).
- Yerevan Youth Palace (1970).
- Republic Square, Yerevan by A.Tamanyan in 1953, (1926-1977).
- Komitas Chamber Music House (1977).
- Yerevan Cascade (1971-1980).
- Karen Demirchyan Complex (1983).
- Residential building with Armenian decoration in Yerevan
21st century buildings in Armenia
- Saint Gregory the Illuminator Cathedral, 1997-2001 years.
- Holy Trinity Church, 2001-2003 years.
- Church of St. Nerses the Great, 2004 year.
- Saint Anna Church, 2011-2014 years.
- COAF SMART center in the village of Debet, Lori province.
- Holy Mother of God Cathedral, 2006-2019 years.
Gallery
Examples of Armenian religious architecture
Armenia
- The Holy Trinity Church (2003) modeled after Zvartnots Cathedral, in the Malatia-Sebastia district of Yerevan
- The Saint Gregory of Narek Cathedral (2005) in Vanadzor, Armenia
Azerbaijan and Artsakh
- 13th century Gandzasar monastery, near Vank village
- 4th century Amaras Monastery near Sos village
- 7th century Vankasar Church near Tigranakert
- 4th century Katarovank close to Hin Tagher village
- Tsitsernavank, near Tsitsernavank village
- 12th century Holy Mother of God Church, Hunarli, Azerbaijan
Iran
Turkey
Middle East
- The Holy Mother of God Cathedral (1940) at the Catholicossate of the Great House of Cilicia in Antelias, Lebanon
- Holy Cross Church (Sourp Nshan) in downtown Beirut, Lebanon, adjacent to the Grand Serail
- Holy Mother of God Church (Sourp Asdvadzadzin) at the Armenian Seminary in Bikfaya, Lebanon
- The belfry of the Forty Martyrs Armenian Cathedral of Aleppo erected in 1912
- Interior of St. Gregory The Illuminator Church of Cairo
North America
- St. Paul's Armenian Apostolic Church, (1908).
- Saint Paul Armenian Church (1979) in Fresno, California
- The Saint Gregory the Illuminator Armenian Catholic Church (2001) in Glendale, California
- St Gregory Armenian Church in Springfield, Massachusetts,USA
Russia
- Holy Transfiguration Cathedral, Moscow
Singapore
- Armenian Church, Singapore, (1836).
See also
References
- Patrick Donabedian, Jean-Michel Thierry, "Armenian Art", New York, 1989, p29-30
- Vazken Lawrence Parsegian, 1996
- Architecture, Arts of Armenia (c) Dr. Dickran Kouymjian , Armenian Studies Program, California State University, Fresno Archived December 31, 2008, at the Wayback Machine
- Armen, Garbis (1992), An Architecture of Survival, p. 71, ISBN 0-9695988-0-7
- History of Armenian Architecture: Volume 1
- "Architecture of Armenia – Tourist Guide: Tourism Armenia". Archived from the original on 2018-09-26. Retrieved 2007-06-18.
- Armenia, Past and Present; Elisabeth Bauer, Jacob Schmidheiny, Frederick Leist , 1981
- Sacred Geometry and Armenian Architecture | Armenia Travel, History, Archeology & Ecology | TourArmenia | Travel Guide to Armenia
- "Building churches in Armenia: art at the borders of empire and the edge of the canon | Art Bulletin, The | Find Articles at BNET.com". Archived from the original on 2008-01-27. Retrieved 2007-06-18.
- Edwards, Robert W., "Armenia" (2016). The Eerdmans Encyclopedia of Early Christian Art and Archaeology, ed., Paul Corby Finney. Grand Rapids, Michigan: William B. Eerdmans Publishing. pp. 119–122. ISBN 978-0-8028-9016-0.
{{cite book}}
: CS1 maint: multiple names: authors list (link) - "Azerbaijan famous medieval cemetery vanishes". Archived from the original on 2014-02-17. Retrieved 2012-12-30.
Bibliography
- Armen, Garbis (1992), An Architecture of Survival, ISBN 0-9695988-0-7
External links
- Armenian Historical Monuments Archived 2015-09-23 at the Wayback Machine presented by the Research on Armenian Architecture organization
- Arts of Armenia:Architecture, a chapter in a book by Dickran Kouymjian of Cal State University, Fresno
- Index of Armenian Art: Armenian Architecture, a listing and details of Armenian architecture grouped by classification
- Pictorial Gallery of Armenian Architecture
- Armenian Architecture Collection of the Rensselaer Digital Collections, part of Rensselaer Polytechnic Institute (includes monasteries in Western Armenia)
- Armenian Architecture in Turkey and the City of Ani
- Armenian Architectures and Its Protection in Turkey
- Cilician Armenian Architecture