Anup Singh of Bikaner
Anup Singh (IAST: Anūpa-siṃha, 1638–1698) served as the ruler of Bikaner State during 1669–1698. Like his father, he was a vassal of the Mughal emperor Aurangzeb, and participated in several Mughal campaigns in the Deccan region. He led the Mughal charge that resulted in the fall of the Golconda Sultanate, for which Aurangzeb conferred the title of Maharaja upon him. Anup Singh was a patron of scholars and painters. He collected several manuscripts and established the Anup Sanskrit Library.
Anup Singh | |
---|---|
Maharaja | |
Ruler of Bikaner State | |
Reign | c. 1669-1698 |
Predecessor | Karan Singh |
Successor | Sarup Singh |
Born | 1638 |
Died | 1698 Adoni |
Issue | Sarup Singh, Sujan Singh |
Father | Karan Singh |
Early life
Anup Singh was a son of his predecessor Karan Singh, a Mughal vassal. In July 1667, while Karan Singh was still alive, the Mughal emperor Aurangzeb conferred on Anup Singh the right to rule Bikaner after his father's death. In 1669, Karan Singh died in Aurangabad during the Mughal campaign in the Deccan region, and Anup Singh succeeded him on the throne of Bikaner.[1]
Military career
Anup Singh was an absentee ruler, and spent much of his life at the Mughal court or in Mughal campaigns away from Bikaner. He participated in the Mughal campaign against the Maratha king Shivaji, as a subordinate of the Mughal general Mahabat Khan.[1] As a general of Aurangzeb, Anup Singh led several campaigns in the Deccan region during the 1680s and the 1690s.[2] In 1687, he led the Mughal army to capture the Golconda Sultanate, for which Aurangzeb granted him the title Maharaja.[3] Aurangzeb also granted him the royal honour of Mahi Maratib, and raised his mansabdar rank, first to 3500, and then to 5000.[1]
After the Mughal army captured Bijapur Sultanate in the mid-1680s, Siddi Masud - the Bijapuri governor of Adoni - ruled the Adoni area independently. A Mughal army led by Anup Singh captured Adoni in 1689, and Aurangzeb appointed him the governor of Adoni. Anup Singh held this post until his death in 1698.[2] Bellary was also placed under his charge.[1]
Rebellions
In the 1670s, while Anup Singh was away in Deccan, the Bhatis of Kharbara and Raimalwali rebelled against his administration. They established their base at Churaia (a fort to the north of Bikaner), where the local Johiyas joined them. Mukund Singh, a mahajan (merchant class) official of Anup Singh, suppressed the rebellion. Later, the fort of Churaia was demolished, and in 1678, it was replaced by a larger fort named Anupgarh after Anup Singh.[1]
In 1678, Anup Singh's half-brother Banmali, who was Karan Singh's son by a concubine, claimed half of Bikaner State on the basis of a firman issued by the Mughal emperor. Banmali's wife, who was a slave-girl, apparently poisoned him to death at the instructions of Anup Singh, who made the emperor believe that Banmali had died of natural causes.[1]
Death and succession
Anup Singh died in 1689 at Adoni.[1] Several women from his harem committed sati (suicide by immolation), including 2 queens (ranis), 9 common law wives, and 7 maids.[4]
Anup Singh's eldest son Sarup Singh (r. 1698–1700), who was nine-year old at the time, succeeded him on the throne. He died of chicken pox at Adoni. Anup Singh's younger son Sujan Singh (r. 1700–1735) then became the ruler of Bikaner.[1]
Cultural activities
Anup Singh was a Sanskrit scholar, mathematician and astronomer.[1] He collected a large number of Sanskrit-language manuscripts during his time in Deccan, and established the Anup Sanskrit Library.[5] He also patronized many Sanskrit writers including Manirama Dikshita, Vidyanatha, and Joshiraya (apparently same as Virasimha Ganaka). The authorship of Josiraya's Anupa-karana is falsely attributed to him (as Anūpasiṃha).[6]
During his years as a Mughal general in Deccan, Anup Singh set up a court there, and employed several painters. His finest artist was Ruknuddin, who had already been in Bikaner's service since the 1660s; several of his relatives also joined the Bikaner service. During this period, the Mughal style influenced the Bikaner style of painting.[7]
Besides the construction of Anupgarh,[1] Anup Singh made several additions to the Junagarh Fort. He added decoration to the Karan Mahal, which was built by his father as the public audience hall (diwan-i-aam). In 1690, he commissioned the Anup Mahal as the private audience hall (diwan-i-khas); the later ruler Surat Singh added much of the structure's interior decor.[8]
References
- Rima Hooja (2006). A History of Rajasthan. Rupa. pp. 606–607. ISBN 9788129108906.
- David Geoffrey Alexander (2015). Islamic Arms and Armor in the Metropolitan Museum of Art. Metropolitan Museum of Art. p. 46. ISBN 9781588395702.
- Antonio Martinelli; George Michell, eds. (2004). Palaces of Rajasthan. India Books House. p. 218. ISBN 9788175083875.
- Satish Chandra (2005). Medieval India: From Sultanat to the Mughals - Part II: Mughal Empire (1526-1748). Har-Anand. p. 372. ISBN 9788124110669.
- Anil Relia; Sonika Soni, eds. (2010). The Indian Portrait. Vol. 8. Archer Art Gallery. p. 57. ISBN 9788193171806.
- David Pingree, ed. (1970). Census of the Exact Sciences in Sanskrit Series A. Vol. 1. American Philosophical Society. pp. 43–44.
- Steven Kossak (1997). Indian Court Painting, 16th-19th Century. Metropolitan Museum of Art. p. 17. ISBN 9780870997822.
- Paul E. Schellinger; Robert M. Salkin, eds. (2012). International Dictionary of Historic Places: Asia and Oceania. Vol. 5. Taylor & Francis. p. 132. ISBN 9781136639791.