Aaron S. Coleman

Coleman was born in Washington, D.C. and later relocated to Indianapolis with his family. His early years as an artist were influenced by hip hop and street art, and he created graffiti and large-scale murals on bridges, trains, and billboards in both cities.[4] He attended the Herron School of Art and Design at Indiana University—Purdue University Indianapolis as an undergraduate and received an MFA from Northern Illinois University in 2013. He serves as the Kenneth E. Tyler Endowed Chair in Printmaking at IUPUI.[1]

Regardless of medium, Coleman frequently uses found imagery and everyday objects in order to construct complex statements about historical memory and authoritarian systems of control, including science, organized religion, anthropology, and the criminal justice system. His prints and mixed media work combine comic book motifs, stained glass imagery, children's book illustrations, and racist caricatures of Black people in jarring ways.[4] His installations create new narratives from the combination of disparate objects, such as picket fences, textiles, gymnasium flooring, found signage, popular culture ephemera, and recontextualized racist memorabilia.[5][6]

His work has been exhibited at the Phoenix Institute of Contemporary Art,[7] the University of Texas at San Antonio,[8] Mesa Arts Center,[9] Hilliard Art Museum,[10] The Janet Turner Print Museum (California State University, Chico),[11] the SOO Visual Arts Center,[12] the Print Center New York,[13] and BUTTER Art Fair,[14][15] among others. He was awarded a 2022 Art as Activism Grant by the Black Box Press Foundation and received a 2023 New Voices Fellowship from the Print Center New York.[16][17] His work is held in a range public and private collections, including those of the Janet Turner Print Museum, Ino Paper Museum, Yekaterinburg Museum of Fine Arts, the National Library of France, and the Artist Printmaker/Photographer Research Archive at Texas Tech University.[1]